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  1. 16 de may. de 2024 · By far the most well known of the great Mississippi Delta bluesmen is Robert Johnson. The Paganini of the Blues. The one who was said to have sold his soul to the devil in return for being able to play like no one else. He was truly a one off and isn’t called the King of the Delta Blues for nothing.

  2. 9 de may. de 2024 · Robert Johnson (born c. 1911, Hazlehurst, Mississippi, U.S.—died August 16, 1938, near Greenwood, Mississippi) was an American blues composer, guitarist, and singer whose eerie falsetto singing voice and masterful rhythmic slide guitar influenced both his contemporaries and many later blues and rock musicians.

  3. 16 de may. de 2024 · Delta blues artists list, with photos, ranked best to worst by votes. List of good delta blues bands includes a filter so you can sort by the groups’s label and what albums they've put out.

  4. 16 de may. de 2024 · The featured musicians below are the best blues musicians that the world has to offer: from the Mississippi Delta to the streets of Chicago, Detroit, and even London. Make sure to vote for the blues greats whom you consider to be the top blues artists of all time.

  5. Hace 6 días · Muddy Waters was heavily influenced by the Delta blues style of music. He drew inspiration from legendary bluesmen like Son House and Robert Johnson, incorporating their powerful vocals and slide guitar techniques into his own unique sound.

  6. 29 de may. de 2024 · He was raised mostly in Chicago by his adoptive family, from whom he took the surname McDaniel, and he recorded for the legendary blues record company Chess as Bo Diddley (a name most likely derived from the diddley bow, a one-stringed African guitar popular in the Mississippi Delta region).

  7. Hace 2 días · Highway 61 Revisited is the sixth studio album by the American singer-songwriter Bob Dylan, released on August 30, 1965, by Columbia Records.Dylan continued the musical approach of his previous album Bringing It All Back Home (1965), using rock musicians as his backing band on every track of the album in a further departure from his primarily acoustic folk sound, except for the closing track ...