Resultado de búsqueda
27 de may. de 2024 · Songs about regret tap into the universal feeling of wishing to rewind time and make amends for our mistakes. Artists ranging from Cher to Kendrick Lamar have explored this poignant theme, crafting timeless tracks that resonate with listeners’ own experiences of remorse and reflection.
29 de may. de 2024 · This song is about the British singer-actress Marianne Faithfull, whose most famous romance was with Mick Jagger, but who also dated Hollies singer-guitarist Allan Clarke for a short time. "Marianne" was changed to "Carrie-Anne" so it wouldn't be totally obvious.
1 de jun. de 2024 · Stop Stop Stop by British pop group The Hollies was written by group members Allan Clarke, Tony Hicks, and Graham Nash, and was a rewrite of an earlier song by the group. It is notable for being one of the few recordings by the group to feature Tony Hicks playing the banjo.
26 de may. de 2024 · In “The psychology of regret: How to overcome past choices and move forward”, we will delve into the psychological underpinnings of regret, how it affects us, and crucially, how to move beyond it. So, buckle up as we journey through the maze of past choices and regrets, towards a future of acceptance and growth.
20 de may. de 2024 · At the heart of Ware’s memoir are five poignant regrets expressed by those on the brink of departing this world. These regrets serve as signposts, guiding us toward a deeper understanding of what it means to live a life of purpose, fulfillment, and authenticity.
15 de may. de 2024 · At its core, “Ships That Don’t Come In” delves into the emotion of regret. The song portrays the journey of a protagonist who finds himself trapped in a cycle of unmet dreams and aspirations. The title itself is a metaphor, describing opportunities that never materialize or remain out of reach.
1 de jun. de 2024 · Stop Stop Stop by British pop group The Hollies was written by group members Allan Clarke, Tony Hicks, and Graham Nash, and was a rewrite of an earlier song by the group. It is notable for being one of the few recordings by the group to feature Tony Hicks playing the banjo.
