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  1. 11 de may. de 2024 · Josquin Lebloitte dit des Prez (c. 1450-1521) - A Franco-Flemish composer of the Renaissance regarded as one of the most influential composers of his time, known for his motets, masses, and...

  2. Hace 17 horas · The Missa Mater Patris, based on a three-voice motet by Antoine Brumel, is probably the earliest true parody mass by any composer, as it no longer contains any hint of a cantus firmus. Missa D'ung aultre amer is based on a popular chanson of the same name by Ockeghem, and is one of Josquin's shortest masses.

  3. 13 de may. de 2024 · Josquin des PrezSix Motets pour la Vierge Marie – Ave Maria – Vultum tuum deprecabuntur – Ave, nobilissima creatura – Pater Noster ... josquin-des-prez-six-motets-pour-la-vierge-marie-cappella-nova-dvg_202405 Scanner Internet Archive HTML5 Uploader 1.7.0 . plus-circle Add Review.

  4. 6 de may. de 2024 · 3. Josquin des Prez, Missa Hercules (c. 1480) Josquin offers us more developed and polished polyphony. A testament to his importance for ecclesiastical music can be seen in the number of works falsely attributed to him in the attempt to gain notoriety.

  5. 22 de may. de 2024 · Manuscript on parchment of Kyrie, Gloria, Credo, Sanctus, Agnus Dei, and other liturgical texts, with motets by Josquin des Pres added at a later date. Description In Latin. Script: original text and additions copied in extremely large Southern (Spanish) Gothica Textualis Formata (Textus Praescissus), with music notation in nota ...

  6. englishtouringopera.org.uk › productions › josquin-mille-regretzMille Regretz | English Touring Opera

    21 de may. de 2024 · Mille Regretz features the polyphonic chansons that brought Josquin fame across Europe. Among them is the eponymous Mille Regretz, a favourite of the Holy Roman Emperor Charles V, in which King David laments murdering his son. Also featured is Allégez-Moi, where Josquin’s unique compositional style meets an explicitly sexual text.

  7. 7 de nov. de 2021 · After the deeply expressive romanze third movement the piece ends with a whirling, perpetuum mobile figurations, rondo finale. Felix Mendelssohn’s F minor was written in the closing months of Mendelssohn’s life in 1847; it was precipitated by the tragic death of his sister from a stroke.