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  1. Hace 5 días · According to Small Faces keyboardist Ian McLagan, Lane's "rooty dooty di" vocal lines were in imitation of a member of the Who's road crew; the two bands had recently toured Australia together. The song features various sound effects including crowd shouts, chirping birds, surf, and church bells.

  2. elsiestero.com.ar › efemerides › ian-mclagan-8Ian McLagan - El Siestero

    12 de may. de 2024 · 12 de mayo de 1945. Nace Ian McLagan en Hounslow, Middlesex, Reino Unido. Fue un teclista, mejor conocido como miembro de las bandas de rock inglesas Small Face

  3. 14 de may. de 2024 · May 14, 2024 / By Joseph L. Hollen. The Meaning Behind The Song: You’re So Rude by Faces. You’re So Rude is a popular song by the British rock band Faces, released in 1972. Written by lead singer Rod Stewart and keyboardist Ian McLagan, the track is a lively and upbeat reflection on the complexities of love and relationships.

  4. Hace 6 días · The New Year Honours 1967 were appointments in many of the Commonwealth realms of Queen Elizabeth II to various orders and honours to reward and highlight good works by citizens of those countries. They were announced on 1 January 1967 to celebrate the year passed and mark the beginning of 1967. The recipients of honours are displayed here as they were styled before their new honour, and ...

  5. Hace 6 días · Which brings us to Revolution Per Minute, an album that puts Big Sugar firmly behind the wheel again, positing Johnson as a reborn Texas soulman on tracks like "There's No Tellin' Me" (featuring Ian McLagan of the Faces) as much as it confirms his role as the Godfather of scorching arena rock gone Jamaican.

  6. 16 de may. de 2024 · Official audio for "Airbnb" by ianListen & Download “Valedictorian” by out now: https://ian.lnk.to/Valedictorian Amazon Music - https://ian.lnk.to/Valedicto...

  7. 7 de may. de 2024 · By Jonathan Eig | May 7, 2024. Independent News and Media/GettyImages. 2 of 3. Read More. “AMERICAN PIE” by Don McLean, 1971 (8:33) “American Pie,” more so than “Stairway to Heaven” or any other long song from the early ‘70s, proved that the public would eat up eight-minute songs, provided they were good enough.