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  1. www.nme.com › reviews › albumBat For Lashes - ‘The Dream Of Delphi’ review - NME

    Hace 1 día · Herself named after the Greek oracle, ‘The Dream Of Delphi’ is, in many ways, a tale of self-discovery, death and rebirth – the titular track a spiralling pagan invocation for Khan’s ...

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  3. music.apple.com › ee › artist‎Bat for Lashes - Apple Music

    Hace 10 horas · About Bat for Lashes. Under her moniker Bat for Lashes, singer/songwriter Natasha Khan has sculpted mystical and theatrical indie pop that’s equal parts dramatic and danceable. Born in London in 1979, Khan taught herself to play piano by the age of 11, and moved to Brighton in the early 2000s to study visual art and music.

  4. www.irishtimes.com › culture › musicBat for Lashes: The Dream of Delphi - The Irish Times

    23 de may. de 2024 · Bat for Lashes: The Dream of Delphi – A profound record inspired by motherhood. Natasha Khan’s sixth album is a collection of ‘song poems’ exploring the idea of the ‘mother witch’....

  5. www.vogue.com › article › bat-for-lashes-the-dream-of-delphi-interviewBat for Lashes on the Radical Intimacy of Her New Album,

    23 de may. de 2024 · Bat for Lashes on the Radical Intimacy of Her New Album ‘The Dream of Delphi’ | Vogue. Music. Bat for Lashes on the Radical Intimacy of Her New Album, The Dream of Delphi. By Liam Hess....

  6. www.slantmagazine.com › music › bat-for-lashes-the-dream-of-delphi-album-reviewBat for Lashes ‘The Dream of Delphi’ Review: A Meditative Tribute

    Hace 4 días · Bat for Lashes The Dream of Delphi Review: A Meditative Tribute to Motherhood. The album is poignant and dreamily spiritual without ever succumbing to preciousness. by Sal Cinquemani. May 27, 2024. Photo: AWAL. Albums revolving around the subject of nascent motherhood are tricky propositions.

  7. www.theartsdesk.com › new-music › album-bat-lashes-dream-delphiAlbum: Bat For Lashes - The Dream of Delphi

    Hace 2 días · The feel of it, to be crass, is Cocteau Twins B-side but The Dream of Delphi has a more modern-classical flavour and is less edgy (yes, less edgy than The Cocteau Twins). Much of it is also built around quiet, reverbed piano. Khan’s crystal-clear soprano vocals, sometimes layered to a folk-ecclesiastical feel, float off into ambient chamber ...