Yahoo Search Búsqueda en la Web

Resultado de búsqueda

  1. Hace 4 días · The idea for the film was proposed to her in 1941 by Garson Kanin, who recalled how Hepburn contributed to the script. She presented the finished product to MGM and demanded $250,000—half for her, half for the authors. Her terms accepted, Hepburn was also given the director and co-star of her choice, George Stevens and Spencer Tracy.

  2. 21 de jun. de 2024 · Her devotion to me and to Garson [Kanin, whom Marian had married in 1990] is consistent and lovely. There have been tributes to Garson, and Shelley is the first to reach out and volunteer to speak. Shelley has always been eager to help me in times when I needed the advice of an agent or a producer.

  3. 28 de jun. de 2024 · Cukor teamed with screenwriters Garson Kanin and his wife Ruth Gordon in this tense film noir, which went on to receive four Academy Award nominations.

  4. 26 de jun. de 2024 · George Cukor's A Double Life is an intriguing backstage thriller from 1947. As a psychological study and an example of classy Oscar bait, I am somewhat dubious of the film, but Cukor milks the most that he can from the somewhat hackneyed script by Ruth Gordon and Garson Kanin.

  5. 27 de jun. de 2024 · She was the wife and writing partner of Garson Kanin, with whom she collaborated on a series of plays and screenplays, some of which were Oscar-nominated. In the mid-to-late 1960s, she came to prominence playing a certain kind of eccentric, strong-willed older woman, most notably in her career-defining performance as Maude in 1970 ...

  6. 1 de jul. de 2024 · Directed primarily by Carol Reed, with assistance from Garson Kanin, the documentary showcases real footage from the invasion. It chronicles the journey from D-Day at Normandy to the ultimate surrender of the Third Reich. Over 1,400 cameramen captured the footage used in this documentary, ...

  7. 25 de jun. de 2024 · TCM pairs the film with Garson Kanin’s Bachelor Mother (1939), starring Ginger Rogers as Polly Parish, a young woman who is mistaken for the mother of an abandoned baby. The film is an example of the ways in which directors had to be nimble with censorable content.