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Hace 6 días · Abstract. Schlegel describes the prophet as both a philosopher and a poet. This chapter adopts Spinoza’s own method reading of Scripture to help us understand what Spinoza meant by prophecy and then how it was read, or might have been read, by later thinkers like Schlegel. The chapter presents three models of prophecy.
6 de may. de 2024 · She had met the handsome young philosopher, philologist, poet, and literary critic Friedrich Schlegel (1772–1829), 8 years her junior, in the Berlin salon of Henriette Herz in July 1797. Her encounter with the brilliant essayist, a pastor’s son, changed both their lives.
9 de may. de 2024 · Movement / Style: Jena Romanticism. Friedrich von Schlegel (born March 10, 1772, Hannover, Hanover—died Jan. 12, 1829, Dresden, Saxony) was a German writer and critic, originator of many of the philosophical ideas that inspired the early German Romantic movement.
17 de may. de 2024 · Friedrich Schiller (born Nov. 10, 1759, Marbach, Württemberg [Germany]—died May 9, 1805, Weimar, Saxe-Weimar) was a leading German dramatist, poet, and literary theorist, best remembered for such dramas as Die Räuber (1781; The Robbers ), the Wallenstein trilogy (1800–01), Maria Stuart (1801), and Wilhelm Tell (1804).
22 de may. de 2024 · Friedrich Schlegel (10.3.1772 Hannover – 12.1.1829 Dresden) war einer der bedeutendsten Denker und Literaten der Jenaer Frühromantik. Er studierte Jura, Geschichte, Philosophie und Philologie in Göttingen und Leipzig.
Hace 1 día · For Goethe, allegory and symbol function as poles of the dyad “sinnliche Darstellung” (representation). He introduced the contrasting pair in the second half of the 1790s, in the context of his project for a German classical aesthetics with Friedrich Schiller, his translation of Germaine de Staël’s Essai sur les fictions (Essay on Fiction), his ongoing work on morphology and optics, and ...
8 de may. de 2024 · Schlegel According to Friedrich Schlegel, the creation of a “poetical poetics” (eine poetische Poetik) was one of “the most important desiderata of philosophy” (F 165).1 he desideratum was never developed into a systematic ars poetica; it remained a fragment of a fragment, in which the philosopher, typically, spoke gnomically on what ought to be...
