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6 de may. de 2024 · Karl Bartos: Narrative film music and sound design Mathias Black: Sound Direction 2024 24.04.24 Berlin, Babylon Kino 25.04.24 Berlin, Babylon Kino 05.06.24 Hamburg, Laeiszhalle (Schleswig Holstein Musik Festival) 06.06.24 Hamburg, Laeiszhalle (Schleswig Holstein Musik Festival) 27.10.24 Feierabendhaus, Ludwigshafen (Int. Filmfestival Mannheim ...
Hace 2 días · It’s not ‘obviously wrong’. There are to these ears no significant change in style or sound from album to album. The OP asked for ‘biggest difference’ between 2 albums ciming after each other, and there is no such thing on Hendrix albums.
23 de may. de 2024 · Also in 1993, McCluskey made contributions to the Elektric Music album Esperanto, a project by former Kraftwerk member Karl Bartos. [64] McCluskey returned with a rotating cast of musicians for the more organic Universal (1996), [22] which featured two songs co-written by Humphreys as well as a holdover from the Esperanto sessions, co-written ...
10 de may. de 2024 · The Meaning Behind The Song: Neon Lights by Kraftwerk Table: Title Artist Writer/Composer Album Release Date Genre Producer Neon Lights Kraftwerk Ralf Hütter, Karl Bartos, Florian Schneider, Emil Schult Minimum-Maximum (2005) December 1978 Electronic, Synth-Pop Florian Schneider, Ralf Hütter The song “Neon Lights” by Kraftwerk is a compelling exploration of the true identity of the …
5 de may. de 2024 · 90 likes, 3 comments - karlbartosofficial on May 5, 2024: "Flashback 1994: With Elektric Music on tour – Karl, Emil Schult, Lothar Manteuffel, Ralf Beck. After the Virtual Summer Festival Gez Va ...
Kraftwerk (power-station in German) is an electronic music group originating from Düsseldorf, Germany in the late 60's. Revolutionary for their time, and greatly influential on ours, the group has released a steadily evolving output of ideas and sounds largely made with analog electronic instruments in their Kling Klang studio.
24 de may. de 2024 · As former Kraftwerk member Karl Bartos told The Quietus in 2009, the track embodied the group’s ambitious new direction, away from the sensibilities of their earlier work. “At that time, with Autobahn and Radio-Activity we’d had enough of creating from our German heritage and rather we were considering ourselves as European musicians. […]
