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  1. Hace 23 horas · A woman who was widely recognized as the world’s longest-serving flight attendant has reportedly passed away, according to several news articles.The news of her death is still a developing story, and has not been confirmed or validated by official sources.. The woman, whose name has not been released to the public at this time, is said to have held the title of the world’s longest-serving ...

  2. Hace 4 días · Estéreo360º 255. Sisters with Transistors 2024. Incluye podcast. Con las 10 pioneras de la electrónica que protagonizan el documental Sisters With Transistors: Wendy Carlos, Suzanne Ciani, Delia Derbyshire, Pauline Oliveros, Bebe Barron, Daphne Oram...

  3. 7 de may. de 2024 · According to the awards website, they are in partnership with The Radiophonic Institute, PRS Foundation and the Daphne Oram Trust: “The Oram Awards is a platform for innovation in sound, music and related technologies to elevate the work and voices of women, trans and non-binary and gender expansive music creators.”

  4. 20 de may. de 2024 · Sound House, a new album by Walls based around interpretations and reworkings of material from Daphne Oram's sound archive, is released this month. Joe Clay caught up with the duo's Sam Willis to discuss the magic within Oram's pioneering experiments in electronic sound

  5. 15 de may. de 2024 · Written by Playlist Robot on May 15, 2024. Count Citrus – Rainmaker. Great Statue – Basset in the Hound. Ruth White – Evening Harmony. Daphne Oram – Wool. Daphne Oram – New Atlantis (1963) Warm Currency – Morning Schemes. Tara Clerkin Trio – Gold Bar. 00_ – Ivy (crystallised damage)

  6. Hace 23 horas · Er stellt sich damit in die Tradition von Komponist*innen, wie Norman McLaren, Daphne Oram and Iannis Xenakis. So wurden während des Konzerts die Grenzen zwischen audio- und visueller Erfahrung, zwischen Komponist, Performer und Remixer und zwischen Improvisation und notierter Musik völlig verwischt.

  7. Hace 4 días · This chapter explores a range of approaches, motivations, and sounding results of working with electronics, and in doing so offers tools and methods to decolonise existing, institution-centred histories of music in this genre.