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  1. 14 de may. de 2024 · CLINT RAMOS (Costume Design) is a creative director, designer and producer. He is the Producing Creative Director for Encores! at New York City Center where he led and designed projects like Billy Porter’s revisal of The Life, The Light In The Piazza with Ruthie Ann Miles directed by Chay Yew and Jelly’s Last Jam directed by ...

  2. Hace 3 días · The full creative team of Slave Play includes Clint Ramos (set design) Dede Ayite (costume design), Jiyoun Chang (lighting), and Lindsay Jones (composition and sound design), Amy Ball (casting), Aundrea Fudge (voice and dialect coach), Claire Warden (intimacy and fight director), Taylor Williams (original US casting) and Wabriya King (drama therapist) Byron Easley (US Choreographer) Jade ...

  3. 14 de may. de 2024 · Emmy and Golden Globe Award-winner Darren Criss will return to the stage alongside Helen J Shen in the Broadway premiere of the new romantic musical comedy Maybe Happy Ending with music by Will ...

  4. 20 de may. de 2024 · The full creative team of Slave Play includes set designer Clint Ramos, costume designer Dede Ayite, lighting designer Jiyoun Chang, and composer/sound designer Lindsay Jones, casting director Amy Ball, original US casting director Taylor Williams, US choreographer Byron Easley, and UK choreographer Jade Hackett.

  5. 20 de may. de 2024 · The full creative team of Slave Play includes Clint Ramos (set design) Dede Ayite (costume design), Jiyoun Chang (lighting), and Lindsay Jones (composition and sound design), Amy Ball (casting...

  6. 20 de may. de 2024 · The full creative team of Slave Play includes Clint Ramos (set design) Dede Ayite (costume design), Jiyoun Chang (lighting), and Lindsay Jones (composition and sound design), Amy Ball (casting), Aundrea Fudge (voice and dialect coach), Claire Warden (intimacy and fight director), Taylor Williams (original US casting) and Wabriya King ...

  7. 15 de mar. de 2013 · Characters may step away for a moment alone for a quiet smoke, but Clint Ramos’ revolving set allows them no peace. Even their dead father, whose life insurance policy sparks the action of the play, is visible to the audience, watching his family’s turmoil in silent agony.