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13 de may. de 2024 · Alicia Markova became the company’s first prima ballerina in 1933. When she left the company in 1935, many of her roles were inherited by the 16-year-old Margot Fonteyn, who later matured into one of the great ballerinas of the century.
14 de may. de 2024 · When Alicia Markova left the company the following year, Fonteyn took over many of her classical roles, including Giselle, and became a leading danseuse of the Vic-Wells Ballet. In 1939 she danced Aurora in a revival of The Sleeping Beauty; her interpretation is still considered the definitive Aurora of the era.
24 de may. de 2024 · Established by former Ballet Russes dancer Alicia Markova in 1950, ENB set out to reach new audiences and nurture future talent. Today, under the artistic direction of Aaron S Watkin, their repertoire spearheads revisionist takes on the classics alongside entirely new commissions.
Hace 5 días · Fracci rapidly became the quintessential Romantic ballerina. In 1957, Anton Dolin chose her to join Yvette Chauviré, Margrethe Schanne and Alicia Markova for his Pas de Quatre at the Nervi Festival, the following year he invited her to take part in a gala with the London Festival Ballet, and in 1959 she returned for her first important Giselle.
Hace 1 día · When Alicia Markova left the Company in 1935 Fonteyn took over many of her roles and went on to develop a great partnership with Robert Helpmann in the classical ballets. She was reaching the end of her career when she first performed with Nureyev in Giselle in February 1962.
7 de may. de 2024 · The role has since been taken by a who’s who of legendary dance talents including Tamara Karsavina, Alicia Alonso, Virgina Johnson, Alicia Markova, Yvette Chauviré, Carla Fracci, Natalia Makarova, Julie Kent and Karen Kain. Giselle ’s place in the classical ballet canon is undeniable.
25 de may. de 2024 · English National Ballet has a long and distinguished history. Founded in 1950 as London Festival Ballet by the great English dancers Alicia Markova and Anton Dolin, it has been at the forefront of ballet’s growth and evolution ever since.
