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  1. 9 de may. de 2024 · 4. The Habit of Art – 22 April 2010 (Lyttelton Theatre) By Alan Bennett. Directed by Nicholas Hytner. The recording of this modern classic had Steadicam cameras that filmed on stage with the actors and featured a stellar cast including Alex Jennings and Adrian Scarborough, who have become NT Live regulars, and the late Richard ...

  2. 9 de may. de 2024 · 76. All My Sons – 14 May 2019 (The Old Vic) By Arthur Miller. Directed by Jeremy Herrin. With Headlong. An NT Live first for all the cast, comprising Sally Field, Bill Pullman, Jenna Coleman and Colin Morgan. Arthur Miller’s classic play is set in America 1947, the set in this production consisted of a quaint house filled with big American ...

  3. Hace 6 días · ATC will present screenings of National Theatre Live presentations on select Saturdays at the Temple of Music and Art. National Theatre Live is the National Theatres groundbreaking project to broadcast the best of British theatre live from the London stage to cinemas across the UK and around the world.

  4. 9 de may. de 2024 · Bennett’s later plays included The Habit of Art (2009), which explores issues of aging and creativity through an imagined encounter between the poet W.H. Auden and the composer Benjamin Britten. In People (2012) an aristocratic former model whose wealth is gone must decide what to do with her family’s dilapidated home.

  5. 17 de may. de 2024 · Una versión radical de una obra inmortal que se proyecta gracias al ciclo “National Theatre Live” que filma el mejor teatro inglés en la sala del Royal National Theatre de la ciudad de...

  6. Hace 1 día · In other National Theatre Live!, cameras would be too static or miss out on facial expressions and asides. This one came close to perfection. It would seem that these screenings of National Theatre Live will continue, with The Lehman Trilogy (directed by Sam Mendes) and One Man, Two Guv’nors (a comedy with James Corden) slated for later in the year.

  7. 11 de may. de 2024 · They really did make the most of Bennett at the National Theatre didn't they? He turned 90 this week so I suppose the chances of any more full length plays are very slim now. I remember this as being a play within a play but I think I'm the wrong generation to really appreciate how important Auden and Britten were.