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14 de may. de 2024 · Igor Stravinsky, Russian-born composer whose work had a revolutionary impact on musical thought and sensibility just before and after World War I, and whose compositions remained a touchstone of modernism for much of his long working life. His most notable composition was the ballet The Rite of Spring.
Hace 2 días · Stravinsky turned back towards biblical themes for many of his final works, notably in the 1961 chamber cantata A Sermon, a Narrative and a Prayer, the 1962 musical television production The Flood, the 1963 Hebrew cantata Abraham and Isaac, and the 1966 Requiem Canticles, the last of which was his final major composition.
Hace 6 días · Desde Pulcinella hasta El progreso del libertino, a Stravinsky se le acusó de haber despreciado la tradición de la música rusa y de abordar cualquier género musical como prueba de carecer de una perspectiva artística y moral clara (fue duramente acusado por no hacer propaganda comunista).
Hace 1 día · The Rite of Spring (French: Le Sacre du printemps) is a ballet and orchestral concert work by the Russian composer Igor Stravinsky.It was written for the 1913 Paris season of Sergei Diaghilev's Ballets Russes company; the original choreography was by Vaslav Nijinsky with stage designs and costumes by Nicholas Roerich.When first performed at the Théâtre des Champs-Élysées on 29 May 1913 ...
10 de may. de 2024 · Faced with a score as revolutionary as The Rite, which Stravinsky said owed more to Debussy than to anyone else but which obviously carried his ideas to new extremes, Debussy must have realized that he had been eclipsed as the leading music figure in Paris.
10 de may. de 2024 · Stravinsky might be the century's most famous composer, but Debussy's role during this period is equally important. Boulez would write that twentieth-century music began with Debussy's Prélude à l’après-midi d’un faune (Prelude to the Afternoon of a Faun), composed from 1892 to 1894.
10 de may. de 2024 · Summary. Debussy and Stravinsky met in 1910, shortly after a revolution had begun just before the turn of the century in the field of cinema. In fact, so radical was this revolution, and so compatible were early cinema and contemporary music, that certain film techniques quite likely influenced both these composers. Cinematic Montage.
