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  1. Hace 1 día · Made in England” comienza y termina con la relación de Scorsese con Powell, particularmente desde que vio El ladrón de Bagdad – 1940 de Powell y otros dos – en televisión cuando era niña hasta hacerse amiga de su esposo Powell y de la editora de Scorsese desde hace mucho tiempo, Thelma Schoonmaker (quien. está acreditado como productor ejecutivo del documental junto con Scorsese).

  2. 10 de may. de 2024 · As a primer, Made in England breaks down the division of labour between the pair (who were equally billed as writers, producers and directors) and the alchemy that conjured such paradoxes as the ...

  3. Hace 1 día · Made in England” begins and ends with Scorsese’s relationship to Powell, in particular, from seeing “Thief of Bagdad” — co-directed in 1940 by Powell and two others — on TV as a ...

  4. 19 de may. de 2024 · Martin Scorsese dives into the works of the English and Hungarian filmmaking legends, who thrived in the face of adversity during World War II, and their influence on cinema. Martin Scorsese first encountered the films of Powell and Pressburger when he was a child, sitting in front of the family TV. When their famous logo came up on screen ...

  5. Hace 4 días · Cast: Martin Scorsese, Emeric Pressburger, Michael Powell. Genre: Documentary. Author (s): David Hinton. Director: David Hinton. Release Date: 10/05/2024 (selected cinemas) Running Time: 133mins. Country: UK/US. Year: 2024. Born in England and Hungary respectively, filmmakers Michael Powell and Emeric Pressburger made more than 20 films ...

  6. Hace 3 días · Martin Scorsese. UK 2024. 133min. Digital. Certificate. TBC. An Altitude Film Distribution release. Martin Scorsese presents an impassioned and highly personal tribute to Powell and Pressburger’s work, richly illustrated with clips and rare archive material. It’s been said that had Martin Scorsese not become one of the world’s great ...

  7. 16 de may. de 2024 · Made in England, directed by David Hinton but essentially hosted by the 81-year-old Scorsese, is a vigorous work of film scholarship that touches on all aspects of Powell and Pressburger’s careers, from their early UK war-time efforts like The Life and Death of Colonel Blimp (1943) to their sumptuous imperial-phase masterpieces like Black Narcissus (1947) and The Red Shoes (1948).