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  1. Hace 3 días · Of course he was seeing Buddy Guy on guitar with Muddy Waters, and Hubert Sumlin playing guitar with Howlin Wolf. Both Buddy Guy and Hubert Sumlin were huge influences on Jimi Hendrix and it’s an interesting thought, how much influence they had on Sonny Rollins… Francisco Tarrega Francisco Tarrega. Tarrega was born in 1852 at Villarreal.

  2. Chico Chism and Hubert Sumlin outside of Odysey Studio, Chicago. This is from a July 3, 1981 Sunnyland Slim recording session. Photo Jillina Arrigo Pope.

  3. “Wolf and I had some tremendous fights. He knocked my teeth out, and I knocked his out.” Hubert Sumlin. 1. Add a Comment. Be the first to comment. Nobody's responded to this post yet. Add your thoughts and get the conversation going. 17K subscribers in the Stratocaster community. A place to discuss all things Stratocaster related.

  4. 16 de may. de 2024 · Hall has had the opportunity to book and meet many blues legends throughout the years. In 2004, he met Hubert Sumlin, legendary Howlin' Wolf Band guitarist, when Sumlin was a walk-on Guest for Saturday Blues Matinee at the Liquid Lounge (Brantford, Ontario.) Photo courtesy Grand River Blues Society.

  5. Hubert Sumlin at American Folk Blues Festival, Braunschweig, Germany, May 9, 1980. Buddy Guy once referred to him as, "The man who invented music." Had the honour of meeting him in Toronto at a club he was playing. Could not have been nicer. 69K subscribers in the blues community.

  6. 8 de may. de 2024 · Howlin’ Wolf performs “I’ll Be Back Someday” live in 1964. . . On vocals and guitar: Howlin’ Wolf On lead guitar: Hubert Sumlin On piano: Sunnyland Slim On bass: Willie Dixon On drums: Clifton James . . . #howlinwolf #hubertsumlin #sunnylandslim #williedixon #cliftonjames #blues #music #instagood #love @howlinwolfofficial".

  7. Hace 2 días · Wright’s sound assimilates everything from the passion and flamboyance of SRV, to the cool riffs and right-in-the-pocket grooves of Chicago blues guitarist Hubert Sumlin and Freddy King, AKA “The Texas Cannonball”, to the intricate harmonies of the Allman Brothers, with the occasional indulgence of including one of Wright’s interesting musical ‘left turns’.