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31 de may. de 2024 · Clarke was a fully-employed professional drummer by 1931, based in Pittsburgh and working around the Midwest. He heard the top bands of the era— Luncford, Henderson, and especially Ellington— up-close and repeatedly, which must have given some ideas about how the drums should be played.
2 de jun. de 2024 · Mientras el músico caminaba por París o Bruselas (ciudad donde también vivió un largo período) los historiadores del jazz escribían su nombre junto a los mejores bateristas del ciclo moderno: el citado Kenny Clarke, Max Roach y Art Blakey. Pero ¿qué distinguía a Taylor de otros bateristas?
20 de jun. de 2024 · Roach played on seven of the album’s eleven tracks (Roach also played on the live session cuts – finally released in 1998). The legendary Kenny Clarke filled in on the other four.
20 de jun. de 2024 · ‘In a Sentimental Mood’ is a popular jazz standard composed by pianist Duke Ellington in 1935. Ellington recorded the song with his orchestra in the same year, with lyrics by Manny Kurtz and Irving Mills. Read on to learn more about the origins of the song and some of the most famous renditions.
13 de jun. de 2024 · The leading figure in jazz was now Charlie Parker, who, along with his colleagues Dizzy Gillespie (trumpet), Bud Powell and Thelonious Monk (piano), Kenny Clarke and Max Roach (drums), Oscar Pettiford and Ray Brown (bass), and later Lucky Thompson (tenor saxophone), Milt Jackson (vibraphone), J.J. Johnson (trombone), and Miles Davis (trumpet ...
18 de jun. de 2024 · The album was attributed to Miles Davis’ All-Stars, and a Hall of Fame ensemble it was, featuring J.J. Johnson on trombone, Lucky Thompson on tenor saxophone, David Shchildkraut on alto sax, Horace Silver on piano, Percy Heath on bass and Kenny Clarke on drums.
19 de jun. de 2024 · He moved to New York, played with Earl Hines and in 1945, joined Dizzy Gillespie's big band rhythm section, which also included pianist John Lewis, bassist Ray Brown and drummer Kenny Clarke. He worked with Charlie Parker, Thelonious Monk and Miles Davis and in 1951 recorded with Gillespie bandmates Lewis, Clarke and Brown.
