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8 de jun. de 2011 · Pier Paolo Pasolini es uno de los grandes creadores del siglo XX, además de un destacado activista político. Su obra literaria abarca la narrativa, ... Teorema y problema: la perspectiva de Deleuze. Para estudiar el cine de Pasolini, Gilles Deleuze [La imagen-tiempo. Estudios sobre cine 2, Barcelona: Paidós, 1987] ...
In this sense, I will attempt to reverse Deleuze's literary concepts of “description” “narration” and “story” in the cinematic “time-image” and Pasolini's “free indirect subjective”, and their reflections on subjectivity and objectivity by drawing a continuous trajectory that tries to express the cinematographic, in the ...
Deleuze offers the examples of Citizen Kane, 'where the distinction between the two types of images tends to vanish in what the witnesses have seen, without its being possible to agree on an identity for the character ('no trespassing')' (153), and Pasolini's free indirect discourse, in which 'the story no longer refers to an ideal of the true which constitutes its veracity, but becomes a ...
Información del artículo Deleuze lector de Pasolini: acerca del "estilo indirecto libre" en el cine We study the free indirect style in three stages. First, we attempt to define the philosophical problem that underlies the Deleuzian appropriation of the concept developed by Pasolini: a critique of Merleau-Ponty's conditions of cinematographic subjectification.
Pier Paolo Pasolini. A Thousand Plateaus I – Deleuze at Paris 8 (video links) / 03. December 16, 1975 Cinema: The Movement-Image / 21. June 1, 1982 Cinema: The Movement-Image / 20. May 25, 1982 Cinema and Thought / 25. June 4 ...
1 de ene. de 2015 · Pasolini (referred to by Deleuze in his volumes dedicated to cinema) translates free indirect discourse into what he calls “cinema of poetry.” He experiments free indirect discourse through that type of film take that is neither subjective, nor objective, but rather “free indirect subjective discourse.”
Deleuze lector de Pasolini: el estilo “subjetivo indirecto libre” en el cine III Jornadas Internacionales de Hermenéuticaaaaaaaaaaa "La hermenéutica en el cruce de las culturas: polifonías y reescrituras" Buenos Aires, 2 al 5 de julio de 2013aaaaaaaa 2 lugar el punto de vista de la narración.
