Yahoo Search Búsqueda en la Web

Resultado de búsqueda

  1. Cindy Sherman was living in Rome when she began her series of “History Portraits” (1988–90), a suite of intentionally peculiar images through which she investigates the representation of individuals in Old Master and other historical varieties of portrait paintings.

  2. Cindy Sherman (2016) Cynthia „Cindy“ Morris Sherman (* 19. Januar 1954 in Glen Ridge, New Jersey) ist eine US-amerikanische Künstlerin und Fotografin. ... In den History Portraits (1988–1990) inszenierte sich Sherman als historisches Gemälde nach Art Alter Meister.

  3. www.moma.org › calendar › exhibitionsCindy Sherman | MoMA

    26 de feb. de 2012 · Exhibition. Feb 26–Jun 11, 2012. Cindy Sherman (American, b. 1954) is widely recognized as one of the most important and influential artists in contemporary art. Throughout her career, she has presented a sustained, eloquent, and provocative exploration of the construction of contemporary identity and the nature of representation, drawn from the unlimited supply of images from movies, TV ...

  4. Summary of Cindy Sherman. Cindy Sherman is a contemporary master of socially critical photography. She is a key figure of the "Pictures Generation," a loose circle of American artists who came to artistic maturity and critical recognition during the early 1980s, a period notable for the rapid and widespread proliferation of mass media imagery.At first painting in a super-realist style in art ...

  5. Cindy Sherman (née le 19 janvier 1954 à New York) est une artiste et photographe américaine contemporaine. Elle est connue pour se mettre en scène dans ses œuvres dans lesquelles elle modèle son corps grâce à différents artifices. Elle vit et travaille à New York. Cindy Sherman a grandi à Huntington (Long Island) où ses parents ont ...

  6. Cindy Sherman, née le 19 janvier 1954 à Glen Ridge, ... 1988-1990 Avec les History Portraits, Cindy Sherman dévoile l’aspect artificiel de certaines œuvres de l’histoire de l’art en surenchérissant leur aspect artificiel et en les réinventant.

  7. In her Society Portraits from 2008, Sherman continues her investigation into distorted ideas of beauty, self-image and aging. Set against opulent backdrops and presented in ornate frames, the characters seem at once tragic and vulgar, as each struggles with the impossible standards of beauty that prevail in a youth- and status-obsessed culture.