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For the exhibition Marina Abramović: The Artist Is Present, The Museum of Modern Art’s first performance retrospective, Abramović performed in the Donald B. and Catherine C. Marron Atrium every day the Museum was open between March 14 and May 31, 2010. Visitors were encouraged to sit silently across from the artist for a duration of their ...
28 de may. de 2021 · Marina Abramović – Trailer zur Performance ‚The Artist is Present‘, New York, MoMA, 2010 „Seit den frühen 1970er Jahren hat Marina Abramović die wahrgenommenen Grenzen von Körper und Geist überschritten und die komplexe Beziehung zwischen Künstler und Publikum durch Performances untersucht, die sowohl sich selbst als auch in vielen Fällen die Teilnehmer emotional, intellektuell ...
MARINA ABRAMOVIĆ: In The Artist is Present, I perform every day for three months.The performance is really about presence. You have to be in the here and now, 100 percent. GLENN LOWRY: Marina Abramović. MARINA ABRAMOVIĆ: I have the empty chair, so everybody from the audience can come on his free time and sit in the front of me, and engage in this kind of silence, experience of the here and ...
For the exhibition Marina Abramović: The Artist Is Present, The Museum of Modern Art’s first performance retrospective, Abramović performed in the Donald B. and Catherine C. Marron Atrium every day the Museum was open between March 14 and May 31, 2010. Visitors were encouraged to sit silently across from the artist for a duration of their ...
17 de mar. de 2022 · The highlight of the exhibition lies with Abramović’s restaging of The Artist is Present (2010).The piece was originally held at the Museum of Modern Art as part of the artist’s retrospective in 2010. The Artist is Present featured Abramović sitting in a chair locking eyes with visitors, who sat down one by one across from her for eight hours a day, for nearly three months—the duration ...
28 de ene. de 2013 · Fotografía Marco Anelli The Artist is Present. Fotografía Marco Anelli. Según Abramovic, la performance es más un estado mental que una acción física, y por su carácter efímero y único, no puede repetirse, en todo caso reinterpretarse. La que llevó a cabo en Nueva York, en un ejercicio de absoluta conexión con su amante público y de ...
Behind the plaque, a queue of visitors forms, eager to enter a large square space—demarcated only by tape on the floor—to sit down at a wooden table across from a dark-haired woman in a navy-blue dress that conceals every part of her body save her face and her hands. The woman is the pioneering artist Marina Abramović, but its likely that ...
