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  1. The Disaster Artist ist eine US-amerikanische Filmkomödie mit tragischen Elementen von James Franco, die auf einem gleichnamigen Buch von Greg Sestero und Tom Bissell basiert. Es handelt sich bei dem Buch um die Schilderung der Entstehungsgeschichte zum Film The Room von Tommy Wiseau aus dem Jahr 2003. Eine Arbeitsversion des Films wurde am 12.

  2. 12 de mar. de 2017 · Film „The Disaster Artist” opowiada prawdziwą, tragikomiczną historię początkującego twórcy filmowego i niesławnego wyrzutka Hollywoodu, Tommy’ego Wiseau — artysty, który realizował swoją pasję w co najmniej dyskusyjny sposób. Reżyser James Franco („Kiedy umieram”, „Dziecię boże”) uczynił z niej afirmację ...

  3. Aspiring actor Greg Sestero befriends the eccentric Tommy Wiseau. The two travel to L.A., and when Hollywood rejects them, Tommy decides to write, direct, produce and star in their own movie. That movie is, "The Room," which has attained cult status as the "Citizen Kane" of bad movies. — rorybobglynn. In the 1990s, Greg Sestero is an aspiring ...

  4. 11 de sept. de 2017 · 灾难艺术家的剧情简介 · · · · · ·. 詹姆斯·弗兰科从去年起就计划将邪典电影《房间》的拍摄过程搬上银幕,近日该片不仅确定了片名《灾难艺术家》 (The Disaster Artist),还找来了以投拍发行恐怖电影为主的新线影业做接盘侠。. 2003年上映的《房间》是托米·韦 ...

  5. The Disaster Artist. Based on the unbelievable true story, aspiring filmmaker Tommy Wiseau enlists his best friend, Greg Sestero, to star in his ambitious and chaotic film debut. Their shared dream ultimately becomes The Room, one of cult cinema's most infamous disasterpieces. 2,038 IMDb 7.3 1 h 43 min 2017. X-Ray HDR UHD R.

  6. A would-be director casts his friend in a deeply peculiar passion project. Based on the true story behind the making of the cult classic film "The Room." Watch trailers & learn more.

  7. The Disaster Artist è un film del 2017 diretto ed interpretato da James Franco.. Tratto dall'omonimo romanzo di Greg Sestero e Tom Bissell, il film racconta della travagliata amicizia tra Sestero e Tommy Wiseau, artefice del film di culto The Room (2003), considerato uno tra i peggiori mai realizzati, tanto da essere definito "il Quarto potere dei film brutti".