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No. 1 (Royal Red and Blue) ist ein Gemälde von Mark Rothko . Das Bild, das 2012 bei Sotheby’s für 75,1 Millionen Dollar [1] an einen Telefonbieter versteigert wurde, gehört mit Orange, Red, Yellow und White Center (Yellow, Pink and Lavender on Rose) zu den drei Bildern Rothkos, die zwischen 2007 und 2012 auf Auktionen Spitzenpreise ...
No.1 (Royal Red and Blue), a large-scale masterpiece by Mark Rothko, led Sotheby's evening auction of contemporary art on 13 November 2012. This majestic canvas was one of eight works hand-selected by the artist for his landmark solo show at the Art Institute of Chicago and has remained in the same collection for 30 years.
Chicago, The Gallery of Art Interpretation, The Art Institute of Chicago; Providence, Museum of Art, Rhode Island School of Design, Recent Paintings by Mark Rothko, October 1954 – February 1955 (as No. 1) New York, Sidney Janis Gallery, Mark Rothko, April – May 1955 (as Royal Red and Blue) Washington, D.C., Corcoran Gallery of Art, Twentieth Century American Artists: 10 th Anniversary ...
No 1 Royal Red and Blue (Königsrot und Blau) erhielt einen der höheren Preise, als es 2012 bei Sotheby's versteigert wurde. Der Preis von 75 Millionen US-Dollar repräsentiert die Popularität der Originalgemälde des Künstlers sowie die relative Bedeutung dieses speziellen Stücks in seiner Karriere. Rothko beendete diese Arbeit 1954 und ...
13 de oct. de 2012 · Sotheby’s, 13 Novembre 2012, New York Durante la Evening Sale di Arte Contemporanea da Sotheby’s il 13 novembre andrà all’incanto un grande dipinto di Mark Rothko, “No.1 (Royal Red and Blue)” del 1954, misura 288.9 x 171.5 cm ed stimato $35-50 milioni. Questa tela è una delle otto opere selezionate da Rothko per la mostra personale dello stesso anno all’Art Institute di Chicago ...
21 de abr. de 2019 · Apr 21, 2019. In summary, the painting "No 1 Royal Red and Blue" by Mark Rothko sold for $75 million in 2012 because it is a masterpiece and there is a demand for it. Apr 21, 2019. #1.
Blue Over Red stands as the crowning achievement of Rothko's declaration in 1948: “The progression of a painter’s work, as it travels in time from point to point, will be toward clarity; toward the elimination of all obstacles between the painter and the idea, and between the idea and the observer…To achieve this clarity is, ultimately ...
