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  1. 9 de abr. de 2017 · Completed in 2014, the project is composed of four parts: the Valletta City Gate and site, an open-air theater “machine,” a Parliament building, and landscaped space.

  2. 16 de sept. de 2015 · So the City Gate of Valletta that got the name of Porta San Giorgio was erected. It had rather a plain design and looked like a simple curtain wall with a wooden bridge. In 1582 it was replaced by a stone one. In 1586 its name was changed to Porta Reale. In 1633 the gate was rebuilt by Maltese architect Tomas Dingli.

  3. 27 de may. de 2015 · El proyecto "City Gate" considera la reorganización completa de la entrada principal a la capital de Malta, La Valeta. El proyecto consta de cuatro partes: la Puerta de la Ciudad de La Valeta y su sitio inmediatamente fuera de las murallas de la ciudad, el diseño de una "máquina" de teatro al aire libre dentro de las ruinas de la antigua ...

  4. Michel Denancé (13), Renzo Piano Building Workshop (3), Mario Carrieri (2) The ‘City Gate’ project takes in the complete reorganization of the principal entrance to the Maltese capital of Valletta. The project comprises four parts: the Valletta City Gate and its site immediately outside the city walls, the design for an open-air theatre ...

  5. Valletta City Gate Parliament and Open Air Theatre. Date: 2008–2014: Client: Government of Malta: Value: 62 million euro: Location: Valletta, Malta: iconic structures international projects maltese heritage masterplanning new build old and new sustainability urban regeneration valletta regeneration.

  6. Piano’s development of City Gate has primarily been an exercise in master-planning: in order to reinvigorate the public realm leading to the heart of Valletta, RPBW was tasked with balancing an instinctive desire to preserve the significant historic heritage of the site with the need for contemporary public amenities that cater to the city’s present-day needs.

  7. Valletta. The Renzo Piano–designed City Gate forms part of the architect's dramatic and harmonious development. It echoes the dimensions of the original 1633 entrance, rather than the 1960s gate that it replaced, allowing passers-by to have the sensation of crossing a real bridge, and giving them views of the ditch and fortifications.