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  1. 22 de feb. de 2017 · Apr 17, 2017. Ed Fornieles’s latest art project could just as easily be the next hot craze among tweens. It’s called “Finiliar,” and it’s a new species of cute, Tamogotchi-like digital creatures who have invaded the Bowery’s newest art center, the first American outpost of Canada’s Arsenal Contemporary. News.

  2. www.artforum.com › events › ed-fornieles-231237Ed Fornieles

    View of “Ed Fornieles,” 2017. From left: Radoll (Canadian Dollar, $), 2016; Radoll (Canadian Dollar, $), 2016.Photo: Greg Carideo. The Finiliars are awfully cute. Genderless, possessed of pastel-hued Teletubby bodies and gumdrop heads, they live in a verdant valley where they adorably play soccer, blow bubbles, and roll about in the grass.

  3. 21 de ago. de 2014 · Ed Fornieles: Modern Family is at the Chisenhale Gallery, E3 (020 8980 7169; chisenhale.org.uk) September 19 to November 9. Admission free. Create a FREE account to continue reading.

  4. An interview with Ed Fornieles on his exhibition The Finiliar at Arsenal Contemporary NY featuring telematic LED works, inkjet prints, sculptures, and an animated digital video. Fornieles creates stages for performative cultures stemming from the ebb and flow of information through various systems of value. Paying particular attention to ludic qualities of subject formation and the polymorphic ...

  5. www.widewalls.ch › artists › ed-fornielesEd Fornieles | Widewalls

    Ed Fornieles is a British artist that focuses on all the humorous things he can achieve through his performance and post-internet pieces.

  6. Ed Fornieles: Apart from The Lego Movie I’d say Guardians of the Galaxy and its soundtrack for favourite music. How do you think style and pop culture will change in 2015? Ed Fornieles: I think everyone will be wearing Missoni sweaters and white trousers. Sum up what we can expect from you in 2015. Ed Fornieles: More. Or the same, but bigger.

  7. For this kind of unconditionality, Fornieles has now chosen the example par excellence: the inescapability of one’s own end, of death drawing near. 7 This is why the narratives in “Sim Vol. 1: Existential Risk” revolve around threats – some that have been repelled, others that are unstoppable. Indeed, the quote from the beginning of ...