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  1. The Cy Twombly Foundation is a private non-profit foundation established in 2005. Our mission is to foster the study and preservation of the work and legacy of Cy Twombly.

  2. 25 de sept. de 1994 · Cy Twombly: A. Retrospective. Sep 25, 1994–Jan 10, 1995. MoMA. Exhibition. The largest and most comprehensive survey ever held in the United States of the work of American abstract artist Cy Twombly (b. 1928), Cy Twombly: A Retrospective comprises nearly 100 works, including paintings, sculptures, and works on paper, which reveal the ...

  3. gagosian.com › artists › cy-twomblyCy Twombly | Gagosian

    20 de dic. de 2023 · Cy Twombly (1928–2011) developed a gestural vocabulary in which each line and color is infused with energy, spirituality, and meaning. Emerging as a prominent figure in the mid-1950s following extensive travels throughout Europe and North Africa, he produced works that are simultaneously personal and mythological, allowing narrative, language, and inner visions to erupt from his intimate ...

  4. www.artnet.com › artists › cy-twomblyCy Twombly | Artnet

    Cy Twombly was a seminal American artist who came of age immediately following the Abstract Expressionist generation. His iconic large-scale paintings consisted of looping marks scribbled and smeared on raw canvas or linen. Twombly’s practice melded his interest in Roman and Greek mythological stories, including Leda and the Swan, with the ...

  5. Cy Twombly (1928–2011) ranks among the most prominent US painters to emerge in the 1950s, a period of radical experimentation in American and European art. Combining gestural strokes of paint, broad areas of empty space, and words scribbled in a nearly illegible hand, Twombly’s work can be enigmatic, even perplexing. Making sense of it requires an appreciation of his attitudes toward ...

  6. Cy Twombly is known for his signature energetic scribbles and bold digression from the general tendencies of American postwar abstraction.

  7. 5 de jul. de 2011 · Cy Twombly's graffiti-like scribbles combined aspects of both traditional European sources and the new American painting.

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