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  1. 6 de ago. de 2021 · Fluids by Allan Kaprow, 1967, via Hamburger Bahnhof – Museum für Gegenwart, Berlin The happening Fluids took place in different public places in Pasadena, California. With the help of people who lived in the area, Kaprow built rectangular structures with walls out of ice blocks and let the constructions melt away on their own until nothing was left of them.

  2. 12 de abr. de 2006 · Apr 11, 2006 - 18:00 EDT. Allan Kaprow ocupó un lugar esencial en la historia del arte del siglo XX al estar en el origen y desarrollo de la forma de arte que denominamos happening, del que se le ...

  3. exhibitions the getty hauser & wirth about reinventions information

  4. 23 de ago. de 2018 · Allan Kaprow (August 23, 1927 – April 5, 2006) was an American painter, assemblagist and a pioneer in establishing the concepts of performance art. He helped to develop the "Environment" and "Happening" in the late 1950s and 1960s, as well as their theory. His Happenings — some 200 of them — evolved over the years.

  5. 15 de sept. de 2015 · A Happening by Allan Kaprow, 1967/2015 in the Berlin urban space. Allan Kaprow (1927 – 2006) is one of the most influential and at the same time least known artists of the second half of the 20th century. He coined the term 'happening', but his own work was largely forgotten because of the object-less nature of his artistic practice.

  6. Allan Kaprow - Kunst als Leben --- Allan Kaprow - Art as Life : ALLAN KAPROW – ART AS LIFE . An exhibition project, jointly organized by Haus der Kunst München and Van Abbemuseum Eindhoven and Kunsthalle Bern and Museo di Arte Contemporanea di Villa Croce Concept: Eva Meyer-Hermann and Stephanie Rosenthal :

  7. www.tate.org.uk › art › art-termsThe Happening | Tate

    In the late 1950s and early 1960s, happenings made New York City the happening place to be. The term was coined by Allan Kaprow, an artist and lecturer who had studied painting with one of the key exponents of Abstract Expressionism, Hans Hofmann, in the 1940s.Unlike the influential critic Clement Greenberg, Kaprow was less interested in the art object than in the way they were created: he was ...

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