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Emeric Pressburger (born Imre József Pressburger; 5 December 1902 – 5 February 1988) was a Hungarian British screenwriter, film director, and producer. He is best known for his series of film collaborations with Michael Powell, in an award-winning collaboration partnership known as the Archers and produced a series of films, notably 49th Parallel (1941), The Life and Death of Colonel Blimp ...
Powell y Pressburger. La asociación de los cineastas Michael Powell y Emeric Pressburger, también conocidos como The Archers, realizó una serie de influyentes películas en las décadas de los 1940 y 1950, y en 1983 fueron reconocidos por su contribución al cine inglés con el BAFTA Academy Fellowship Award, el más prestigioso de los ...
Emeric Pressburger. Writer: The Red Shoes. Educated at the Universities of Prague and Stuttgart, Emeric Pressburger worked as a journalist in Hungary and Germany and an author and scriptwriter in Berlin and Paris. He was a Hungarian Jew, chased around Europe (he worked on films for UFA in Berlin and Paris) before World War II, finally finding sanctuary in London--but as a scriptwriter who didn ...
6 de feb. de 1988 · Emeric Pressburger, a British screenwriter whose widely acclaimed films made in collaboration with the director Michael Powell included ''The Red Shoes'' and ''Tales of Hoffmann,'' died yesterday ...
23 de feb. de 2024 · In the narrator’s seat for David Hinton’s eloquent documentary on the filmmaking duo Michael Powell and Emeric Pressburger, Martin Scorsese is the ultimate fan. Tracing his all-around movie ...
Pressburger Imre, Emeric Pressburger ( Miskolc, 1902. december 5. – Saxstead, Suffolk, Anglia, 1988. február 5.) magyar származású angol Oscar-díjas forgatókönyvíró, filmrendező és producer, aki legjelentősebb munkáit rendezőtársával, Michael Powell -lel együtt készítette, akivel 1943-ban közös produkciós céget alapított.
Hailed as quintessentially British, Powell and Pressburger’s often-controversial films in fact emerged from the creative energy sparked when ‘Man of Kent’ Michael Powell combined his dynamic direction with the elegant, incisive writing of Emeric Pressburger, a Jewish Hungarian emigré.
