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Jean-Baptiste Illinois Jacquet (31 octobre 1922 - 22 juillet 2004) est un saxophoniste ténor américain de jazz. Biographie [ modifier | modifier le code ] Jacquet naît d'une mère sioux et d'un père créole à Broussard en Louisiane et, alors qu'il est encore nouveau-né, la famille déménage pour Houston dans le Texas où il grandit auprès de ses six frères et sœurs.
Illinois Jacquet. Illinois Jacquet (born October 31, 1922, Broussard, Louisiana, USA - died July 22, 2004, Queens, New York City, New York, USA) was an American jazz tenor saxophonist, composer and bandleader. He also doubled on bassoon, being one of the few jazz players to master that instrument. At 15, Jacquet began playing with Milt Larkin s ...
Illinois Jacquet. Illinois Jacquet (born October 31, 1922, Broussard, Louisiana, USA - died July 22, 2004, Queens, New York City, New York, USA) was an American jazz tenor saxophonist, composer and bandleader. He also doubled on bassoon, being one of the few jazz players to master that instrument. At 15, Jacquet began playing with Milt Larkin s ...
Illinois Jacquet. Con unos comienzos algo oscuros, el saxofonista tenor, Illinois Jacquet (30 de octubre de 1922, Broussard, Luisiana, Estados Unidos – 22 de julio de 2004, Nueva York, Estados Unidos), irrumpió con enorme fuerza en el mundo del jazz cuando en 1942 tocó con la banda del vibrafonista, Lionel Hampton, el tema: «Flyng Home».
7 de jul. de 2017 · Illinois Jacquet. Illinois Jacquet is considered to be one of the most influential tenor saxophonists in the history of jazz music. Born on October 31, 1922, in Broussard, Louisiana, Jean Baptiste Illinois Jacquet, at the age of 19 on the very first recording of his career, spawned an entirely new style and sound for the tenor saxophone.
22 de jul. de 2004 · Explore Illinois Jacquet's discography including top tracks, albums, and reviews. Learn all about Illinois Jacquet on AllMusic.
Milt Jackson. Illinois Jacquet (1922–2004) Jean-Batiste ‘Illinois’ Jacquet was a tenor saxophonist, composer and bandleader who was also one of the few jazz musicians to master the bassoon. He is best remembered as the tenor saxophonist who defined the crowd-pleasing ‘screech and honk’ style of playing the instrument.
