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  1. 27 de oct. de 2019 · Sun 27 Oct 2019 00.30 EDT Share W hen Mabel (Jess Weixler) asks her fellow actor Rosenthal (a magnetic, brilliantly self-aware Adam Pearson) if he has representation, she means to find out whether ...

  2. An actress bonds with a young man who has a severe facial deformity. Director Aaron Schimberg Producer Daniel Patrick Carbone, Vanessa McDonnell, Matthew Petock, Jane Schoenbrun, Zachary Shedd ...

  3. In a deft tragicomic performance, Jess Weixler (Teeth) plays Mabel, a movie star "slumming it" in an outré art-horror film being shot in a semi-abandoned hospital. In a deft tragicomic performance, Jess Weixler (Teeth) ... Chained For Life. 2019 • 91 minutes. 100%. Tomatometer. family_home. Eligible. info. $9.99 Buy HD.

  4. Año: 2018. Consulta críticas de usuarios y opiniones sobre Chained for Life, y lee lo que opinó la crítica tanto profesional como de usuarios de Chained for Life. España. Búsqueda avanzada ... Estamos ante una de esas películas de las que podríamos estar hablando durante días. El hecho de que sea un film dentro de otro film ya da para ...

  5. This movie is a subtly unfolding, intentionally clumsily-forged, plasticine act of dreamlike kindnesses and social inhumanity. Everyone is chained to something. The mostly unseen Herr Director of the movie-within-the-movie, Warner Herzog-esque in his rhetoric but Uwe Bollian in his craft, is a huge delight.

  6. 13 de sept. de 2019 · In Chained for Life, written and directed by Aaron Schimberg, a movie set acts as a hunk of pseudo-intellectual debris orbiting around one of those unfortunate human truths: looks matter, until we decide they don’t, I suppose. There’s a European “auteur” director with a shirt that’s unbuttoned one too many times, an actor in love.

  7. 2019. Mill Valley Film Festival. 2018. Cast & Crew. Show all (34) Aaron Schimberg Director, Screenplay. Jess Weixler ... Articles from the Notebook. Remaking Film Mistakes: "Chained for Life" and Ableism in Film. Aaron Schimberg’s strange new filmmaking comedy offers a welcome perspective on how to integrate non-normative people into cinema ...