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Scordatura Ensemble. Asked whether he would describe his music as "Sound for the sake of sound," James Tenney (1934-2006) replied, "It's sound for the sake of perceptual insight－some kind of perceptual revelation." This release aptly demonstrates Tenney's deep exploratory fascination with the nature and potentialities of aural perception.
James Tenney (August 10, 1934 – August 24, 2006) was an American composer and music theorist. He made significant early musical contributions to plunderphonics, sound synthesis, ...
17 de may. de 2011 · James Tenney - Analog #1 (Noise Study). This is considered the first piece of computer music performed by a professional composer. More info: ...
Bibliography of James Tenney’s writings (2006) compiled by Stina Hanson, California Institute of the Arts: On “crystal growth” in harmonic space (1993-1998) German translation published in MusikTexte 112 (Köln, 2007) MusikTexte - Zeitschrift für Neue Musik edited by Gisela Gronemeyer and Reinhard Oehlschlägel
James Tenney ( 10. srpna 1934 Silver City, Nové Mexiko, USA – 24. srpna 2006 Valencia, Kalifornie, USA) [1] byl americký klavírista, hudební skladatel a hudební teoretik. Studoval na University of Denver, Juilliard School, Bennington College a University of Illinois. Po ukončení studií začal spolupracovat s Johnem Cagem a hrál i s ...
1 de abr. de 2014 · Tellingly, Tenney chose as his title an etymological breakdown of the word “method,” showing its roots in the Greek μετά(“after”) and ὁδός (“way”). Fifty years after it first appeared in print, the book remains a thought-provoking, methodical analysis of the experience of perceiving music. Tenney (1934-2006), who was a ...
