Resultado de búsqueda
Az 1975-ös The Hissing of Summer Lawns Joni Mitchell nagylemeze. Bár kereskedelmi sikernek számított (az albumlista 4. helyéig jutott, hamar aranylemez lett), a kritikusok nem fogadták nagy elismeréssel, ... Graham Nash – háttérvokál (In France They Kiss on Main Street)
The Hissing of Summer Lawns è un album discografico di Joni Mitchell, pubblicato dall'etichetta discografica Asylum Records nel novembre del 1975.. Il disco arrivò alla posizione numero quattro delle chart statunitensi e al numero quattordici della classifica del Regno Unito.. L'album ricevette una nomination al Grammy Award come miglior performance Pop di voce femminile nel 1977, inoltre fu ...
US. 1975. Recently Edited. The Hissing Of Summer Lawns ( LP, Album, Gatefold) Asylum Records. 7E-1051. Australia. 1975. View credits, reviews, tracks and shop for the CD release of "The Hissing Of Summer Lawns" on Discogs.
Backing Vocals – David Crosby, Graham Nash, James Taylor (2) Electric Piano – Victor Feldman. Guitar – Jeff Baxter, ... The Hissing of Summer Lawns. 0:00; The Hissing of Summer Lawns. 3:02; Edith and the Kingpin. 3:36; Don't Interrupt the Sorrow. 4:05; Sweet Bird. 4:12; Joni Mitchell - In France They Kiss On Main Street. 3:20; Shadows and ...
The Hissing of Summer Lawns er Joni Mitchells ottende album fra 1975.På albummet oplever man for alvor hendes interesse for at eksperimentere med musikken i form af mere jazz og verdensmusik, end tidligere hørt på hendes udgivelser.. Blandt de mere specielle numre kan nævnes "The Jungle Line", der musikalsk udelukkende har Mitchell selv på guitar og synthesizer samt optagelser af et ...
The Hissing of Summer Lawns on Joni Mitchellin studioalbumi vuodelta 1975. Albumin on julkaissut Asylum Records-levy-yhtiö sarjatunnuksella 7E-1051. Levyn on äänittänyt Henry Lewy apulaisenaan Ellis Sorkin. ... Graham Nash ja Dave Crosby esiintyvät ABC Recordsin luvalla.
With The Hissing of Summer Lawns nobody could any longer call her a ‘confessional songwriter’ (try to find any reference to ‘I’ in this album’s lyrics). Instead, much of the album is devoted to the ennui and the superficiality of upper middle-class America, especially the trophy wives. These were the baby-boomer women who were moulded and bound by the ideals of 1950’s nuclear ...
