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Anthony Tillmon Williams (December 12, 1945 – February 23, 1997) [1] was an American jazz drummer . Williams first gained fame as a member of Miles Davis ' " Second Great Quintet ," and later pioneered jazz fusion with Davis' group and his own combo, the Tony Williams Lifetime. [2] In 1970, music critic Robert Christgau described him as ...
Let’s take a look at the revolutionary contributions and unparalleled influence of Tony Williams. From his groundbreaking collaborations with jazz icon Miles...
24 de oct. de 2018 · Instead of rudimental phrases, Tony Williams offered drummers a whole new concept of playing Jazz drums based around what has been described as “controlled chaos.”. Tony underscored this tendency by making tempos sound “elastic” and by playing with intense swiftness and a pulsating forward motion.
The New Tony Williams Lifetime. Believe It (Columbia, 1975) Million Dollar Legs (Columbia, 1976) Tony Williams Quintet. Civilization (Blue Note, 1986) ... No Problem (1981) Med Wallace Roney. Verses (1987) Med Travis Shook. Travis Shook (1993) Med Wayne Shorter. The Soothsayer (1965) Med McCoy Tyner. Supertrios (1977)
When Tony Williams died on February 23, he left behind not only a rich legacy of extraordinary drumming, but also the promise of incredible things to come. He entered the Seton Medical Center in Daly City, California, on Thursday, February 20, for minor gall bladder surgery and was in the process of recovering when he suffered a fatal heart attack.
Tony Williams 1986. Anthony Tillmon „Tony“ Williams (* 12.Dezember 1945 in Chicago, Illinois, USA; † 23. Februar 1997 in Daly City, Kalifornien, USA) war ein US-amerikanischer Jazz-Schlagzeuger.. Neben Billy Cobham entwickelte er die Verbindung von Jazz- und Rockrhythmen. Beeinflusst wurde er von Max Roach, Philly Joe Jones, Roy Haynes, Elvin Jones, aber auch vom Schlagzeuger Sunny Murray
26 de ago. de 2020 · Tony Williams—a handful. He plays like the rushing wind, like an avalanche, like a natural disaster. People look at each other and start to laugh, he's so good, so loud, so unapologetically in their faces. There's nothing polite about Tony Williams's drumming, nor anything overly diplomatic about him. He's testy, suspicious, self-involved.
