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Marie-Thérèse Walter traf am 8. Januar 1927 [1] in den Galeries Lafayette das erste Mal auf Pablo Picasso (1881–1973). Ihr Wesen und ihre Schönheit faszinierten den Maler. Er machte sie zu seinem Modell und später zu seiner heimlichen Geliebten. Solange er noch mit Olga Chochlowa (1891–1955) zusammen war, benutzte er Marie-Thérèse zur ...
This portrait depicts Marie-Thérèse Walter, whom Picasso met on a street in Paris in 1927. She was nearly thirty years his junior and he was married with a child. They began an affair almost immediately. She gave birth to their daughter, Maya, in 1935. Variations, March 28–September 30, 2010. 1,250 works online.
Marie-Thérèse Walter (Le Perreux-sur-Marne, 13 luglio 1909 – Juan-les-Pins, 20 ottobre 1977) è stata una modella francese, nota per avere posato per Pablo Picasso ed esserne stata l'amante dal 1927 al 1935 circa.. Conobbe Picasso all'età di diciassette anni, mentre lui ne aveva quarantacinque ed era sposato con Ol'ga Chochlova, dalla quale aveva avuto un figlio, Paulo.
8 de mar. de 2018 · Aquí nos gustaría mostrarte una descripción, pero el sitio web que estás mirando no lo permite.
Marie-Thérèse Walter (Le Perreux-sur-Marne, Frankrijk 13 juli 1909 – Juan-les-Pins, 20 oktober 1977) was vriendin en muze van Pablo Picasso en moeder van hun dochter Maya.. Externe links. Insecula; Insecula; Leurs; Literatuur. Olivier Widmaier Picasso (grandson of Picasso and Marie-Thérèse (Maya's son)).
7 de abr. de 2022 · Painted in April 1932, 90 years ago to the month, Femme nue couchée is one of Pablo Picasso’s most monumental and uninhibitedly sensual portrayals of Marie-Thérèse Walter. Appearing at auction for the first time, the large-scale painting is poised to achieve in excess of $60 million at Sotheby’s Modern Evening Auction on 17 May, making it one of the most valuable portraits of Marie ...
Marie-Thérèse Walter, the subject of this sensuous painting, met the artist in 1927, when she was seventeen and he was forty-five. She became his lover and muse soon after. While the female form was not a new subject for Picasso, the flowing, curvilinear style and bright, saturated tones used to depicted Marie-Thérèse are departures from his earlier portrayals of women.
