Resultado de búsqueda
This time My Bloody Valentine actually stick with a sound. Where on their first EP they changed up styles for a bit, here it is mostly energetic garage-rock with distorted guitar. There is nothing as outright hilarious as Forever And Again but nothing really bad either. This indeed foreshadows Loveless a slight bit more than This Is Your Bloody Valentine.
2 de nov. de 2022 · SMS. 1981 slasher “My Bloody Valentine” is getting an officially licensed tie-in novel from Stop The Killer Games. The novel treatment celebrating the cult favorite horror film will arrive in early February 2023. Canada-based Cinépix green-lit the novel with a blessing from the movie’s director, George Mihalka, who has written the foreword.
Released. 1990 — UK. Vinyl —. 12", 45 RPM, EP. Explore the tracklist, credits, statistics, and more for Geek! by My Bloody Valentine. Compare versions and buy on Discogs.
Geek [EP] by My Bloody Valentine released in 1986. Find album reviews, track lists, credits, awards and more at AllMusic.
4 de oct. de 2017 · Básicamente This Is Your Bloody Valentine pero con canciones un poco mejores (y más corto, gracias al cielo). La grabación de mala calidad, el post-punk quemado y el falso Ian Curtis siguen aquí, pero por suerte será la última vez. 10. The B-52's edgy cousins. 7. More popular reviews. Purchasing Geek! from Amazon helps support Album of ...
My Bloody Valentine (often stylised in all lowercase or abbreviated as MBV) are an Irish-English alternative rock band formed in Dublin in 1983 and consisting since 1987 of founding members Kevin Shields (vocals, guitar, sampler) and Colm Ó Cíosóig (drums, sampler), with Bilinda Butcher (vocals, guitar) and Debbie Googe (bass). Often cited as a pioneering act in the shoegaze genre, their ...
1988 saw My Bloody Valentine team up with Creation Records for a full-length album, Isn't Anything, and a host of accompanying EP material. Their distinctive musical style, airy yet heavily distorted, was imitated by quite a few English bands in the years to come, and was called 'shoegaze' by the British press, because such bands' guitarists would be gazing at their effect pedals for entire shows.