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18 de ago. de 2021 · Bahamian guitarist Joseph Spence was truly a singular talent both in terms of his place of origin and approach to the instrument and the songs he sought to perform. Smithsonian Folkways most recent offering of Spence’s playing, Encore: Unheard Recordings of Bahamian Guitar and Singing, showcases a little-heard facet of his career, with ...
Encore: Unheard Recordings of Bahamian Guitar and Singing (out July 16, 2021) is a 13-track collection of recently-rediscovered recordings made by recording engineer, musician and producer Peter K. Siegel. In the ’60s, Siegel was lucky enough to spend time with Spence and record the musician in both New York City and at Spence’s home in the ...
商品の説明. Encore is a new album produced from previously unheard archival recordings by the legendary Bahamian guitarist Joseph Spence, made in 1965 at the height of his career. Spence's radically innovative guitar style transformed elements of Bahamian traditional music into adventurous, joyful improvisations and influenced players ...
3 de sept. de 2021 · Encore: Unheard Recordings of Bahamian Guitar and Singing introduces the music of one of the most influential artists from the Bahamas in the 20th century. Joseph Spence was a renowned guitarist and rhymer, who introduced his working class Bahamian style of singing and guitar playing to American audiences at folk festivals in the 1960s.
Listen to Encore: Unheard Recordings of Bahamian Guitar and Singing on Spotify. Joseph Spence · Album · 2021 · 13 songs.
Joseph Spence (August 3, 1910 – March 18, 1984) was a Bahamian guitarist and singer. He is well known for his vocalizations and humming while playing the guitar. Several American musicians, including Taj Mahal, the Grateful Dead, Ry Cooder, Catfish Keith, Woody Mann, and Olu Dara, as well as the British guitarist John Renbourn, were influenced by and have recorded variations of his ...
21 de nov. de 2021 · And then there’s Joseph Spence—the late Bahamian folk artist (1910–1984) possessed a gravelly, mumbling vocal style. But behind the idiosyncratic singing lay joy, a freewheeling and primitive fingerpicking style, and a unique blend of folk, blues, gospel, and calypso influences.
