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  1. Outer sleeve looks the same as Tomasz Stańko Quintet - Music For K except additional anniversary RSD liner note and box with hand-written number (see below) Cat. no. 01902 9 52668 6 8 is written on the spine Comes with several stickers: [Sticker no. 1: RSD 2020 in shape of rectagle or circle] Record Store Day April 18, 2020 [Sticker no. 2 ...

  2. Easy! Wojciech Karolak. Released. 1975 — Poland. Vinyl —. LP, Album. Explore the tracklist, credits, statistics, and more for Music For K by Tomasz Stańko Quintet. Compare versions and buy on Discogs.

  3. Wooden Music I by Tomasz Stańko Quintet, released 05 December 2022 1. Piece 1 2. Piece 2 3. Piece 3 4. Piece 4 5. Piece 5 6. Piece 6 It would appear that Polish jazz is a well-known subject through and through. Dozens of outstanding albums, biographies of the masters, hundreds of journal articles. As it turns out, it is still possible to find music that has been waiting for years to be ...

  4. Tomasz Stańko discography and songs: Music profile for Tomasz Stańko, born 11 July 1942. Genres: ECM Style Jazz, Avant-Garde Jazz, Jazz. Albums include Music for K, Purple Sun, and TWET.

  5. Tomasz Ludwik Stańko (Polish: [ˈtɔmaʂ ˈstaɲkɔ]; 11 July 1942 – 29 July 2018) was a Polish trumpeter and composer associated with free jazz and the avant-garde. In 1962, Tomasz Stańko formed his first band, the Jazz Darings, with saxophonist Janusz Muniak , pianist Adam Makowicz , bassist Jacek Ostaszewski, drummer Wiktor Perelmuter.

  6. The Tomasz Stańko Quintet, which included Muniak and Zbigniew Seifert, garnered considerable critical acclaim, especially for their tribute to Komeda entitled Music for K. The early '70s brought collaborations with a number of avant-garde and creative jazz artists, including the Globe Unity Orchestra, Michal Urbaniak, Cecil Taylor, and Gary Peacock.

  7. Wooden Music II by Tomasz Stańko, released 27 October 2023 1. Calme 2. 6 & 8 I 3. 6 & 8 II 4. Flute's Ballad The discovery of Tomasz Stańko's archive recordings from 50 years ago at Radio Bremen demonstrated the dynamic development of this shrouded in mystery quintet, which was a blank spot in the history of Polish jazz.