Resultado de búsqueda
14 de dic. de 2021 · With so much to love about “No Way Home,” the only shame is that it’s not a bit more tightly presented. There’s no reason for this movie to be 148 minutes, especially given how much the first half has a habit of repeating its themes and plot points. Watts (and the MCU in general) has a habit of over-explaining things and there’s a ...
5 de nov. de 2021 · It is, in short, a bit of a mess. It is also—and I cannot stress this enough—2 hours and 37 minutes long. And yet because the talented, eclectic cast is so enormous and so much world-building must occur, “Eternals” ultimately feels rushed and unsatisfying. The mythology here is both dense and frequently silly, with the movie grinding to ...
One of the gifts a movie lover can give another is the title of a wonderful film they have not yet discovered. Here are more than 300 reconsiderations and appreciations of movies from the distant past to the recent past, all of movies that I consider worthy of being called "great." - Roger Ebert
20 de oct. de 2021 · The opening title calls it “Dune Part 1” and while this two-and-a-half hour movie provides a bonafide epic experience, it's not coy about connoting that there’s more to the story. Herbert’s own vision corresponds to Villeneuve’s own storytelling affinities to the extent that he apparently did not feel compelled to graft his own ideas ...
Roger Ebert, né le 18 juin 1942 à Urbana dans l’Illinois et mort le 4 avril 2013 à Chicago (Illinois), est un journaliste américain. Critique de cinéma particulièrement reconnu en Amérique, sa rubrique du Chicago Sun-Times est reprise dans 200 journaux.
1 de abr. de 1991 · Roger Ebert April 01, 1991. Tweet. Cary Grant and Ingrid Bergman in Hitchcock's "Notorious." Ebert's Best Film Lists1967 - present. If I must make a list of the Ten Greatest Films of All Time, my first vow is to make the list for myself, not for anybody else. I am sure than Eisenstein's "The Battleship Potemkin" is a great film, but it's not ...
Tonally, “It” feels like a throwback to great King adaptations of yore—particularly “Stand By Me,” with its ragtag band of kids on a morbid adventure, affecting bravado and affectionately hassling each other to mask their true jitters. Wolfhard in particular has great comic timing as the profane Richie.
