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  1. EUROPE '51 starts with the nominal language of melodrama before a shock ruptures the formalism and unleashes something else upon the world. And I mean "world" not in its artistic conception of a work's diegetic reality but in the actual sense of the world around us, of a separate but connected web of people who share a moral responsibility ...

  2. Europa 1951, Europa 1951 narra la historia de Irene Gilrad, una americana rica que lleva en Roma una vida frívola en compañía de su marido George.

  3. Europa ’51. Directed by Roberto Rossellini • 1952 • Italy. Starring Ingrid Bergman, Alexander Knox. In the Italian-language version of this film, Ingrid Bergman plays a wealthy, self-absorbed Rome socialite racked by guilt over the shocking death of her young son. As a way of dealing with her grief and finding meaning in her life, she ...

  4. it.wikipedia.org › wiki › Europa_'51Europa '51 - Wikipedia

    Europa '51. Sandro De Feo, Ivo Perilli, Mario Pannunzio, Brunello Rondi . Europa '51 è un film drammatico del 1952 diretto da Roberto Rossellini, interpretato da Ingrid Bergman . La pellicola venne presentata alla 13ª Mostra internazionale d'arte cinematografica di Venezia il 12 settembre 1952, dove vinse il Premio internazionale della giuria.

  5. Europe ’51. Directed by Roberto Rossellini • 1952 • Italy. Starring Ingrid Bergman, Alexander Knox. In the English-language version of this film, Ingrid Bergman plays a wealthy, self-absorbed Rome socialite racked by guilt over the shocking death of her young son. As a way of dealing with her grief and finding meaning in her life, she ...

  6. Europa 51 (1952) de Roberto Rossellini. Director: Roberto Rossellini. Intérpretes: Ingrid Bergman, Alexander Knox, Giulietta Masina, Teresa Pellati. Con guión de Roberto Rossellini (“Desiderio”), Sandro De Feo (“El Rey Del Dinero”), Mario Pannunzio (“Grandes Almaneces”), Ivo Perilli (“¡Tempestad!”) y Brunello Rondi ( “La ...

  7. Tres en uno. “Europa ´51” es una película sumamente extraña. Del mismo modo que la noción católica de Dios, también ella es “una y trina”, pues alberga en su seno tres historias muy diferentes, diríanse incluso inconciliables. Lo que empieza como melodrama burgués del tipo los-ricos-también-lloran, tragedia familiar incluida ...