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Paul Bley, CM (November 10, 1932 – January 3, 2016) was a Canadian jazz pianist known for his contributions to the free jazz movement of the 1960s as well as his innovations and influence on trio playing and his early live performance on the Moog and ARP synthesizers.His music has been described by Ben Ratliff of the New York Times as "deeply original and aesthetically aggressive".
Biografia. Paul Bley era nato a Montréal, in Canada, ma ha vissuto a lungo negli Stati Uniti.La sua musica è caratterizzata da composizioni che oscillano tra l'astrazione e la melodia. Negli anni cinquanta ha fondato il Jazz Workshop a Montréal, insieme a Charlie Parker, con il quale ha inciso dischi e suonato dal vivo.Nello stesso periodo Bley suonò anche con Lester Young e Ben Webster.
Página de Paul Bley. Distinciones. Miembro de la Orden de Canadá. [ editar datos en Wikidata] Paul Bley ( Montreal, 10 de noviembre de 1932-3 de enero de 2016) 1 fue un pianista y compositor canadiense de jazz, conocido sobre todo por sus trabajos dentro del campo del free jazz .
Le pianiste Paul Bley et le contrebassiste Gary Peacock se connaissent donc depuis une bonne vingtaine d’années quand ils gravent ensemble Partners. Un nombre impressionnant de galettes, du duo au trio en passant par la configuration du quartet, ont été enregistrés par les deux hommes.
Undated version manufactured by Sanyo Laser Products, with glass master date of June 20, 2003. Recorded Live to Digital 2-Tracks at Sound & Sound Studio, New York on Dec. 18, 1989. Edited at Ramses Studio, Paris.
Explore songs, recommendations, and other album details for Partners by Paul Bley, Gary Peacock. Compare different versions and buy them all on Discogs.
Paul Bley was born in Montreal in 1932 and began studying the piano at the age of seven. While still a teenager, he was asked by Oscar Peterson to replace him at Montreal’s Alberta Lounge, and by 1950 was a student at the Julliard School of Music in New York.A move to Los Angeles 1957 saw Bley get involved in what would become known as free jazz, though even then he felt the aesthetics of ...
