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Kurt Weill (1900-1950) Die Dreigroschenoper The Threepenny ... Macheath (Mackie Messer) - René Kollo Peachum - Mario Adorf Frau Peachum - Helga Dernesch Polly - Ute Lemper Jenny - Milva Brown - Wolfgang ... Barcode: 0 28943 00752 8. Other Versions (5 of 18) View All. Title (Format)Label Cat# Country Year: New Submission. The Threepenny Opera ...
The Threepenny Opera (Die Dreigroschenoper [diː dʁaɪˈɡʁɔʃn̩ˌʔoːpɐ]) is a German "play with music" by Bertolt Brecht, adapted from a translation by Elisabeth Hauptmann of John Gay's 18th-century English ballad opera, The Beggar's Opera, and four ballads by François Villon, with music by Kurt Weill.Although there is debate as to how much, if any, contribution Hauptmann might have ...
3 de nov. de 2021 · Kurt Weill (1900-1950) The Threepenny Opera Die Dreigroschenoper (P) 1990 Decca Music Group Limited (C) 2012 Decca Music Group Limited This 2012 reissue includes a 20 page booklet with liner notes. Note however that this booklet does NOT include the libretto. Macheath (Mackie Messer) - René Kollo Jonathan Jeremiah Peachum - Mario Adorf
Descubre Weill: The Threepenny Opera de René Kollo & Mario Adorf & Helga Dernesch & Ute Lemper & Milva ... became a minor pop hit in Europe. The next show, Die Dreigroschenoper (The Three-Penny Opera, 1928), was a monstrous success, in ... Her 1986 debut, Ute Lemper Sings Kurt Weill, established her as a primary interpreter of Weimar ...
Luister naar Kurt Weill: Die Dreigroschenoper van John Mauceri, Berlin RIAS Chamber Ensemble, Ute Lemper, René Kollo & Milva op Apple Music. Stream nummers, waaronder \'Die Dreigroschenoper: ... Weill: The Threepenny Opera. 1988. Prelude to a Kiss: The Duke Ellington Album. 1996. Ute Lemper Sings Kurt Weill, Vol. II.
Ute Lemper Sings Kurt Weill by Ute Lemper released in 1988. Find album reviews, track lists, credits, awards and more at AllMusic. ... Kurt Weill: Die Dreigroschenoper (The Threepenny Opera) (1990) Crimes of the Heart (1990) Kurt Weill: The Seven Deadly Sins; Mahagonny Songspiel (1991)
Berlin also endures in Lemper’s fantastically vivid interpretations of the Weimar-era collaborations of Brecht and Weill, including cabaret songs from The Threepenny Opera and Happy End. Her versions have been celebrated since her debut solo album, Ute Lemper Singt Kurt Weill (apparently Dietrich was quite proprietorial about this during their call), and she has proved a modern champion for ...
