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18 de may. de 2024 · Andy Warhol: The Textiles. The first exhibition in Scotland exclusively dedicated to the commercial textile designs of pop artist and icon Andy Warhol. Leading figure of the Pop Art movement, Andy Warhol’s swiftly successful career began in commercial and advertising art during the 1950s and early 1960s. At this time, Warhol’s output was ...
5 de jun. de 2024 · Todos idénticos y ninguno parecido: la fórmula de Andy Warhol para la fama instantánea es hoy un icono de la prensa del siglo XX Las portadas que Richard Bernstein firmó para la revista ...
Hace 6 días · Andy Warhol is arguably one of the most widely known and discussed artists of the twentieth century. While his depictions of consumer products and celebrities became household famous, there is a newly identified red thread through his career, starting in the late 1940s until his untimely death in the 1980s: a continuous searching to visualize his ideal of beauty, mostly male beauty, finding ...
18 de may. de 2024 · Through Monday, January 20, 2025. In celebration of its 30 th anniversary, The Warhol presents KAWS + Warhol, the first exhibition to examine the dark themes present in the work of both artists. From skulls to car crashes, both artists deploy their signature bright colors and pop culture references while also presenting the lurid spectacle of ...
17 de may. de 2024 · 20:30 – 21:00 Opening Speeches for Andy Warhol: After the Party and WE WILL SLAM YOU WITH OUR WINGS by Joanna Dudley. 21:00 – 23:00 DJ set by Darwin Stapel. 23:00 – 00:00 The Way Collective: Performance. 00:00 – 02:00 DJ set by John Agesilas. 02:00 – 04:00 DJ set by Kapela Marna.
4 de jun. de 2024 · May 24, 2016. By Eric Shiner. The following is an excerpt from Eric Shiner’s interview with Ai Weiwei that appears in the exhibition catalogue Andy Warhol | Ai Weiwei . The catalogue was produced in conjunction with the exhibition Andy Warhol | Ai Weiwei, on view at The Warhol June 4–August 28, 2016. Ai Weiwei, Illumination, 2014, Ai Weiwei.
2 de jun. de 2024 · In the case of Campbell’s Soup Cans 11, Warhol preserved the color values of the actual can labels, offering a sharp contrast between the red, white, and black. The line is very clear cut, and regular, moving up, across and down again around the can’s silhouette. The shape is also pre-selected, and decidedly geometric rather than organic.
