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  1. Pang by Caroline Polachek would be a perfect song for sleep token to cover. Ok so I’ve seen nonstop listening to Sleep Token’s discography. I just discovered Caroline Polachek and when I was listening to Pang, I was reading the lyrics and I realized it would be a perfect song for Sleep Token to cover. The structure of the song would lend ...

  2. 12 de may. de 2024 · Caroline Polachek - Billions. 0. 0 comments . Newest comments. Алёна Швец - 17. Так странно что я узнала об алёне в 12 лет, и еще играла эту песню, а в этом году мне уже будет 17…. RUTH B - LOST BOY.

  3. 10 de may. de 2024 · The soundtrack for Jane Schoenbrun’s new coming-of-age horror film I Saw the TV Glow has arrived, with songs by Sloppy Jane (featuring Phoebe Bridgers), Caroline Polachek, Bartees Strange, Jay Som, and more.. First announced in February, the soundtrack and its stacked lineup comes via A24 Music, and is available on a thematically-appropriate pink opaque vinyl.

  4. 9 de may. de 2024 · Caroline Polachek’s “Look at Me Now” is a powerful anthem that explores the themes of self-reflection, personal growth, and the pressures of conformity. It serves as a reminder to embrace our individuality, confront our fears, and stay true to ourselves, even in the face of adversity. The song’s introspective lyrics and emotional ...

  5. 12 de may. de 2024 · Caroline Polachek - Billions. 0. 0 comments . Newest comments. IC3PEAK - Dead but pretty. You have a captivating spirit. Let's explore it further, by sharing our vulnerabilities and creating a connection that goes beyond the physical. Fagata, Natalisa - Bla Bla Bla.

  6. 11 de may. de 2024 · In keeping with the film’s surreal take on nostalgia, a crew of leftfield pop and indie musicians—Caroline Polachek, Bartees Strange, Jay Som, yeule—pay knowing tribute to the ’90s.

  7. 23 de may. de 2024 · Caroline Polachek and Sophie Xeon were two of the most innovative and influential musicians of their generation. Their work was characterized by its experimentalism, avant-garde approach, and use of synthesizers, samples, and unconventional song structures.

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