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Hace 6 días · Ambient 1: Music for Airports. Though Brian Eno’s Ambient series grew out of a simple purpose—to improve upon the canned music that Eno had endured while travelling through airports—its innovative approach would go on to affect film scoring, electronic music and pop music in general. For all their evocative power, these four long tracks ...
15 de may. de 2024 · Listen to Brian Eno’s Music for Airports now. Though it only saw the light of day in the fall of 1978, much of Music For Airports ’ content dated back to 1976, while Eno was working on David ...
9 de may. de 2024 · Ambient 1: Music for Airports is more of a starting gun than an album in-and-of-itself, a klaxon and clarion call for a whole new way of thinking and a soundtrack for an expanded psychology and social awareness. Although Discreet Music was Eno’s first exploration into crafting music meant to interact with the environment, Music for Airports is the first album branded as “Ambient Music.”
15 de may. de 2024 · Music. Sensitivity. Normal - Content that is suitable for ages 16 and over. Ambient 1: Music for Airports is the sixth studio album by Brian Eno, released in 1978 by Polydor Records. It is the first of Eno's albums released under the label of ambient music, a genre of music intended to "induce calm and a space to think" whi….
25 de abr. de 2024 · Tracklist: Official Soundtrack to the 2024 Gary Hustwit Documentary ‘Eno’ - The definitive documentary about visionary musician and artist Brian Eno, and a ground-breaking generative film that’s different every time it’s shown. The official soundtrack features 17 tracks from throughout Eno’s
16 de may. de 2024 · 본명은 브라이언 피터 조지 요한 밥티스타 드 라 살 이노 (Brian Peter George St. John le Baptiste de la Salle Eno) 세례명 이 무지막지하게 길어서 이렇게 된 것이다. 요한 밥티스타 드 라 살 (St. John le Baptiste de la Salle)은 가난한 어린이들의 교육을 위해 힘쓴 가톨릭 신부이자 ...
15 de may. de 2024 · Discography: Brian Eno: Music for Films. Music for Films is not a soundtrack or a score. While some of its pieces would find their way into films, the album itself was more conceptual than that. The films for which Eno was composing hadn’t actually existed yet; Eno simply envisioned that this collection of work would suit visual accompaniment ...
