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Pièce (dé)montée "Richard III Loyaulté me lie" de William Shakespeare, adaptée par Jean Lambert-Wild et Gérald Garutti. Cette pièce nous renvoie un miroir qui questionne finement notre monde contemporain. Ce dossier téléchargeable au format PDF offre des pistes d'exploitations pédagogiques en classe avec une analyse du parti pris ...
Books. Richard III. William Shakespeare. Turtleback, 1996 - Drama. "I feel that I have spent half my career with one or another Pelican Shakespeare in my back pocket. Convenience, however, is the least important aspect of the new Pelican Shakespeare series. Here is an elegant and clear text for either the study or the rehearsal room, notes ...
About “Richard III”. The concluding play of Shakespeare’s first historical tetralogy, Richard III has a significant claim to being Shakespeare’s first real dramatic achievement. The ...
Shakespeare’s Richard III unfolds in the Globe Theatre this summer, in a ‘hugely compelling’ ★★★★ (The Guardian) and ‘vibrant’ ★★★★ (The Telegraph) new production exploring modern tyranny afresh. Following generations of fighting, a fragile peace has been established, but Richard’s self-serving manipulation, disruption and ambition for the crown threatens the lives ...
La pièce de théâtre « Richard III » de William Shakespeare est une tragédie qui offre une représentation saisissante de la société de l’époque. À travers les différents personnages et les événements qui se déroulent, Shakespeare dépeint de manière subtile et complexe les aspects politiques, sociaux et moraux de la société du XVe siècle.
7 de oct. de 2020 · By Dr Oliver Tearle (Loughborough University) Richard III is one of William Shakespeare’s earliest history plays, and the first history play where we see his full maturity as a playwright emerging in his depiction of the central character’s downfall.Although Richard III shows the marked influence of Christopher Marlowe on Shakespeare, we also see signs of Shakespeare overcoming his ...
31 de jul. de 2015 · Act 1, scene 1. Scene 1. Synopsis: Richard, alone onstage, reveals his intention to play the villain. He then pretends to console Clarence, the first victim of this villainy. After Clarence is led off toward prison, Richard greets Hastings, who tells him that King Edward is very ill. Richard, once again alone onstage, outlines his plan to have ...
