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31 de ene. de 2017 · Morton Feldman was one of the most enigmatic composers of the 20th century. That is to say, he was extremely intelligent and enormously opinionated, pulled no punches when it came to passing judgement on historical figures or his peers, and loved to talk about his work, so that there is a remarkable collection of his writings and many scattered interviews to give us insight into his music.
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Patterns in a Chromatic Field, for cello & piano (1981)Arne Deforce, celloYutaka Oya, pianoThe nature of sound (especially for one who composes at the piano)...
27 de feb. de 2014 · It's a sort of retrospective of Feldman's work from 1948 through 1981, with a disk and a quarter devoted to his later masterpiece that bears the title of the set, "Patterns in a Chromatic Field". The way from beginning to end holds much fascination for anyone interested in Feldman's development from High Modernist to "Feldmanist".
20 de may. de 2008 · Имя файла G:\Temp\Patterns In A Chromatic Field 2cdVER2\Morton Feldman - Patterns In A Chromatic Field.wav Пиковый уровень 63.3 % Качество диапазона 99.4 % CRC копии A71087FD Копирование... OK Ошибок не произошло Конец отчёта cd2 Exact Audio Copy V0.99 prebeta 4 ...
Mathis Mayr (cello), Antonis Anissegos (piano) (Wergo)
A stunning, 80-minute work composed for cello and piano by Martin Feldman in 1981. Pitchfork's review of the work lauds, "…despite its 80-minute length, Patterns in a Chromatic Field takes little work to become entranced with; while one must take the initial leap of investing one's trust and concentration in Feldman's unique sensibilities, its moments of crystalline beauty are readily apparent."
