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25 de may. de 2024 · Film, series of still photographs on film, projected in rapid succession onto a screen by means of light. Because of the optical phenomenon known as persistence of vision, this gives the illusion of actual, smooth, and continuous motion. Learn more about motion pictures in this article.
We Are What We Are. (2013) We Are What We Are is te koop op dvd. Kijk nu! De Parkers lijken een dood normale familie, maar leven een afgezonderd bestaan. Achter gesloten deuren heeft Frank als hoofd van de familie de touwtjes in handen. Met onverbiddelijke passie wil hij de gebruiken van zijn voorouders koste wat het kost in stand houden.
24 de ene. de 2014 · Kein Zweifler kann sich vor ihm verbergen!“. Nachdem ihre Mutter bei einer Unwetterflut ertrunken ist, beschwört Frank Parker (Bill Sage) die beiden Töchter, sich ihrer Vorbestimmung zu fügen. Die ältere Iris (Ambyr Childers) soll als Nächstes für ein Mahl sorgen. Trotz heftiger Gewissensbisse befolgt sie Vaters Auftrag.
We Are What We Are is a 2013 horror film that also has elements of drama. It is a remake of a 2010 Mexican film of the same name, but with some details changed. The film stars Bill Sage, Ambyr Childers, and Julia Garner, and was directed by Jim Mickle.. The story involves the Parkers, a family who follow a hallowed tradition that has been in their lineage for many years.
We Are What We Are: Directed by Jim Mickle. With Kassie Wesley DePaiva, Laurent Rejto, Julia Garner, Ambyr Childers. The Parkers, a reclusive family who follow ancient customs, find their secret existence threatened as a torrential downpour moves into their area, forcing daughters Iris and Rose to assume responsibilities beyond those of a typical family.
I agreed because of the trust we built working together for 3 years, and the film is better for it. Together, we created a work of art, as well as a tool that will help us advance the goal of The Who We Are Project, the organization that evolved out of the presentation – to correct the narrative about the United States’ history of anti ...
Not since George A. Romero’s Land of the Dead has the horror genre been so metaphorically mined for signifiers of social iniquity and underclass revolt. Yet in place of satire and postmodern subversion, We Are What We Are plays its horrors straight, and finds plenty of meat on its allegorical bones.
