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  1. Jean-Michel Basquiat (født 22. december 1960 i Brooklyn, New York City, død 12. august 1988 på SoHo, New York City) var en amerikansk kunstner hvis forældre stammede fra Puerto Rico og Haiti, der blev kendt for sine graffitiværker. Senere kom han til at tilhøre 1980'ernes neoekspressionisme.

  2. Portrait of A-One A.K.A. King was executed in 1982, during the turning point of Jean-Michel Basquiat’s career. 1982 was a pivotal year for Basquiat, as it marked his transition from the street culture to the fine art world. He also had his first solo show of his career, which earned a lot of accolades from the art community.

  3. Basquiat, Jean-Michel. Born on December 22, the son of a Haitian father, Gérard, and a Puerto Rican mother, Matilde. Moves with his family to Puerto Rico for two years for Gérard’s work. 1976 Back in New York, enrolls at Edward R. Murrow High School in Brooklyn, moving to City-as-School High School, an alternative school that follows an ...

  4. Jean-Michel Basquiat fue uno de los primeros artistas afroamericanos en alcanzar la talla internacional y la riqueza en el mundo del arte, tuvo una carrera corta pero impactante. Su ascenso a la fama fue muy rápido, ya que se le celebró por su fusión de símbolos multiculturales, su mordaz comentario social y su distintivo estilo gráfico.

  5. 20 de jul. de 2019 · 彼らと話をしていくと、共通して語られることがいくつかあった。. まずバスキアは自分を「黒人アーティスト」と呼ばれることを極端に嫌っていたということ、そしてアーティストとして有名になるというオブセッション(強迫観念)が人並み以上に ...

  6. As further evidence of Basquiat’s specific association of the crown with spiritual transcendence, it is noteworthy that in the silkscreen print Back of the Neck (1983, 57 1/2 x 103 inches, edition of 24, published by New City Editions, Venice, California; reproduced in Jean-Michel Basquiat [New York: Vrej Baghoomian, 1989], pl. 69), which includes a hand-painted gold crown hovering over the ...

  7. 22 de dic. de 2020 · In 1985, the New York Times Magazine featured a shoeless Jean-Michel Basquiat on its cover. Titled “New Art, New Money,” the piece it ran with was ostensibly about the artist, but its focus ...

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