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pollock_thailand, Bangkok, Thailand. 3,328 likes · 690 talking about this · 7 were here. “Pollock would support all activities for children which can’t...
Jackson Pollock. Free Form. 1946. Oil on canvas. 19 1/4 x 14" (48.9 x 35.5 cm). ... If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, ...
Jackson Pollock, né le à Cody dans le Wyoming et mort le à Springs dans l' État de New York, est un peintre américain de l' expressionnisme abstrait, mondialement connu de son vivant. Jackson Pollock a réalisé plus de 700 œuvres, peintures achevées, essais peints ou sculptés et dessins ainsi que quelques gravures.
22 de sept. de 2023 · Jackson Pollock rimarrà sempre un’icona dell’arte astratta e un simbolo della forza e della passione dell’artista. Lo stile di Jackson Pollock. Lo stile artistico di Jackson Pollock è stato rivoluzionario e iconico, contribuendo in modo significativo all’evoluzione dell’arte moderna e all’ascesa dell’astrattismo espressionista.
Biografia Infanzia e giovinezza. Pollock nacque nel 1912 a Cody, Wyoming, da LeRoy Pollock e Stella May McClure, ed era il più giovane di cinque fratelli. Suo padre faceva l'agricoltore e in seguito diventò un agrimensore alle dipendenze dello Stato. Jackson trascorse la sua gioventù tra l'Arizona e la California e studiò alla High School di Reverside e poi alla Manual Arts High School di ...
17 de mar. de 2022 · Number 1 (Lavender Mist) (1950) by Jackson Pollock that demonstrates his iconic drip-style, located in the National Gallery of Art in Washington, D.C., United States; Jackson Pollock, CC BY-SA 4.0, via Wikimedia Commons Jackson Pollock’s artwork after 1951 was deeper in tone, including a series created in black on unprimed canvases. These works have been dubbed his “Black pourings,” and ...
Abstract Expressionism in the. National Gallery of Art Collection. Number One, 1950 (Lavender Mist) embodies the artistic breakthrough Jackson Pollock reached between 1947 and 1950. His method was based on his earlier experiments with dripping and splattering paint on ceramic, glass, and canvas on an easel.
