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21 de may. de 2023 · Hector Guimard: How Paris Got Its Curves invites a new understanding of France’s most famous art nouveau architect, Hector Guimard (1867–1942). Guimard is perhaps best known for his designs for the Paris Métro stations (1898–1900) and private residences like Castel Béranger (1895–97)—both important commissions broadcasting the art nouveau style he was developing at the turn
Co-organized by Cooper Hewitt and the Richard H. Driehaus Museum, Chicago, this exhibition invites a new understanding of France’s most famous art nouveau architect, Hector Guimard (1867–1942). Guimard is perhaps best known for his iconic Paris Métro entrances and private residences like Castel Béranger. Their ornate design based in the ...
25 de ago. de 2021 · Hector Guimard (1867-1942) was one of France’s greatest Art Nouveau architect/designers. In an exhibition organized by the Richard H. Driehaus Museum in Chicago and Cooper Hewitt, Smithsonian Design Museum in New York, accompanied by a gorgeous catalogue, seven distinguished scholars share their research and knowledge of Guimard.
INTRODUCTION. Hector Guimard (1867-1942) has been recognized as the most important French architect-designer in all the major surveys of Art Nouveau. However, this evaluation is based on very few examples of his work. His only famous monument is the system of subway entrances designed for the Paris Metro company in 1900.
Hector Guimard. (1867-1942) French architect. Guimard introduced Art Nouveau in Paris. He brought it from Bruxelles in 1894 when he visited Horta. This visit has upset all the work he was doing on Castel Beranger. Guimard is the most important Art Nouveau archiect in France. Nevertheless a large part of his works was destroyed.
妻アドリーヌとエクトール、1910年頃. エクトール・ギマール （ Hector Guimard, リヨン、 1867年 3月10日 – ニューヨーク、 1942年 5月20日 ）は、 フランス の 建築家 で、同国における アール・ヌーヴォー の代表者。.
3 de may. de 2023 · Hector Guimard: Art Nouveau to Modernism explores Guimard’s commitment to sharing beautiful, sensuous, accessible designs for both civic architecture and everyday objects with a wide audience, as well as Guimard’s modern entrepreneurial approach to promoting his work through Le Style Guimard branding and his use of mass-production technologies.
