Resultado de búsqueda
Hugh Auchincloss Steers (June 12, 1962 – March 1, 1995) was a painter whose work is in the Whitney Museum of American Art, the Walker Art Center, and the Denver Art Museum. He died of AIDS at the age of 32. Steers was born on June 12, 1962, to Nina Gore Auchincloss and Newton Steers.
491 Follower s. Hugh Steers’s figurative paintings explore identity politics, eroticism, and the despair wrought by the AIDS crisis in America’s gay community in the ’80s and ’90s, as well as the resilience and compassion it engendered. In his early work, Steers …. Discover and purchase Hugh Auchinschloss Steers’s artworks ...
7 de feb. de 2013 · Hugh Steers. Alexander Gray Associates. 508 West 26th Street, Chelsea. Through Feb. 16. Art history has so far produced only a sketchy account of work that emerged from the AIDS epidemic of the ...
20 de oct. de 2023 · Hugh Auchincloss Steers (b. 1963 March 1, 1995) was a painter whose work is in the Whitney Museum of American Art, the Walker Art Center, and the Denver Art Museum. He died of AIDS at the age of 32. Steers was born in 1963 to Nina Gore Auchincloss and Newton Steers. He was the first of three child
Hugh Auchincloss may refer to: Hugh D. Auchincloss Jr. (1897–1976), American merchant and businessman, ... Hugh Auchincloss Steers (1962–1995), American painter This page was last edited on 26 February 2024, at 00:25 (UTC). Text is available under the Creative ...
Hugh Auchincloss Steers (1962-1995) was an American painter who committed to representational painting and figuration throughout his career in order to address the impact of Queer identity and the AIDS crisis. The collection contains materials created and accumulated by Steers during his lifetime, and materials generated and managed by his estate after his death from AIDS-related complications ...
Alexander Gray Associates presented its third exhibition of work by Hugh Steers (b.1962—d.1995), The Nullities of Life. Before his death at 32 from AIDS related complications, Steers created allegorical images that captured the emotional and political tenor of New York in the late 1980s and early 1990s. Embracing representational painting and figuration at a time when such approaches were ...
