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Habitantes del museo: Léonide Massine, el arlequín de Picasso. Continua informado. Suscríbete a la newsletter arrow_forward . Horarios. Del 1 de noviembre al 30 de abril: De martes a domingo de 10 h a 19 h. Del 2 de mayo al 31 de octubre: Martes, miércoles y domingo de 9 a 20 h / Jueves, viernes y sábado de 9 a 21 h.
Arlequí [Léonide Massine] Picasso va encetar l’any 1917 amb l’horitzó engrescador de col·laborar per primer cop amb el món de l’escena dissenyant els decorats, el vestuari i el teló de boca del ballet “Parade”, de la companyia dels Ballets Russos de Serguei Diàghilev. Un encàrrec que li va venir a través del seu amic el poeta ...
1 de jul. de 2019 · El músico Manuel de Falla, el coreógrafo y bailarín Léonide Massine y el pintor Pablo Picasso. Estas tres mentes brillantes, con el soporte del fundador de los míticos Ballets Rusos, Serguéi ...
Lorca Massine is an American choreographer and dancer, born in New York on July 25, 1944 , he was born by a Russian immigrant. He studied dance with his father, Victor Gsovsky, Asaf Messerer and Anatole Wilzac. Over his career, he has collaborated with world-acclaimed choreographers such as Balanchine, Béjart, and his father, Léonide Massine,.
8 de jun. de 2018 · Massine, Léonide (1896–1979) US choreographer and ballet dancer, b.Russia.His choreography includes Le Soleil de Nuit (1915), La Boutique Fantasque (1919), and Three Cornered Hat (1919). He influenced the development of choreography when he created his first symphonic ballet, Les Présages (1933). He also performed in the films The Red Shoes (1948) and Tales of Hoffmann (1951).
25 de sept. de 2012 · Massine, Leonide, 1896-Publication date 1968 Topics Massine, Leonide, 1896-Publisher London, Macmillan; New York, St. Martin's P. Collection internetarchivebooks; inlibrary; printdisabled Contributor Internet Archive Language English. Illus. on lining papers Access-restricted-item
Léonide Massine’s first essay in choreography for Diaghilev was Lithurgie, a dramatization of the Russian Orthodox eucharist liturgy. After Stravinsky declined to provide the music, holding that the idea was irreverent, Massine determined to accompany the dancers with only the sound of the dancers’ stamping feet and clapping hands, whereupon Diaghilev cancelled plans to present it.
